Pansies (Lawrence)
PANSIES
Poems

D H. LAWRENCE
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THE WORKS OF D. H. LAWRENCE
Novels
ST. MAWR · AARON'S ROD · KANGAROO
THE WHITE PEACOCK · SONS AND LOVERS
THE TRESPASSER · THE LOST GIRL
WOMEN IN LOVE · THE RAINBOW
THE PLUMED SERPENT
LADY CHATTERLEY'S LOVER
With M. L. Skinner: THE BOY IN THE BUSH
Shorter Stories
THE PRUSSIAN OFFICER · ENGLAND, MY ENGLAND
THE CAPTAIN'S DOLL · TWILIGHT IN ITALY
THE WOMAN WHO RODE AWAY
Poetry
BAY · LOOK! WE HAVE COME THROUGH!
AMORES · BIRDS, BEASTS AND FLOWERS · TORTOISES
LOVE POEMS AND OTHERS · NEW POEMS
COLLECTED POEMS
PANSIES
Plays
TOUCH AND GO
THE WIDOWING OF MRS. HOLROYD · DAVID
Belles Lettres
STUDIES IN CLASSIC AMERICAN LITERATURE
MOVEMENTS IN EUROPEAN HISTORY
Philosophy
PSYCHOANALYSIS AND THE UNCONSCIOUS
FANTASIA OF THE UNCONSCIOUS
Travel
SEA AND SARDINIA · MORNINGS IN MEXICO
Translations
LITTLE NOVELS OF SICILY · MASTRO—DON GESUALDO
by Giovanni Varga
Miscellaneous
Introduction to MEMOIRS OF THE FOREIGN LEGION, by M. M.
PORNOGRAPHY & OBSCENITY

PANSIES
POEMS
D. H. LAWRENCE
Privately Printed at the
PRESS OF THEO GAUS' SONS, INC.,
Brooklyn, New York
Copyright 1929 by Alfred A. Knopf Inc.
ALL RIGHTS RESERVED INCLUDING THE RIGHT TO REPRODUCE
THIS BOOK OR PARTS THEREOF IN ANY FORM
Private Edition Limited to
1,000 Numbered Copies.
Manufactured in the United States of America
FOREWORD
These poems are called "Pansies" because they are rather "Pensées" than anything else. Pascal or La Bruyère wrote their "Pensées" in prose, but it has always seemed to me that a real thought, a single thought, not an argument, can only exist easily in verse, or in some poetic form. There is a didactic element about prose thoughts which makes them repellent, slightly bullying. "He who hath wife and children hath given hostages to fortune." There is a thought well put; but immediately it irritates by its assertiveness. It applies too direct to actual practical life. If it were put into poetry it wouldn't nag at us so practically. We don't want to be nagged at.
So I should wish these "Pansies" to be taken as thoughts rather than anything else; casual thoughts that are true while they are true and irrelevant when the mood and circumstance changes. I should like them to be as fleeting as pansies, which wilt so soon, and are so fascinating with their varied faces, while they last. And flowers, to my thinking, are not merely pretty-pretty. They have in their fragrance an earthiness of the humus and the corruptive earth from which they spring. And pansies, in their streaked faces, have a look of many things besides hearts-ease.
Some of the poems are perforce omitted—about a dozen from the bunch. When Scotland Yard seized the MS in the post, at the order of the Home Secretary, no doubt there was a rush of detectives, post-men, and Home Office clerks and heads, to pick out the most lurid blossoms. They must have been very disappointed. When I now read down the list of the omitted poems, and recall the dozen amusing, not terribly important bits of pansies which have had to stay out of print for fear a policeman might put his foot on them, I can only grin once more to think of the nanny-goat, nanny-goat in-a-white-petticoat silliness of it all. It is like listening to a Mrs. Caudle's curtain lecture in the next house, and wondering whether Mrs. Caudle is funnier, or Mr. Caudle; or whether they aren't both of them merely stale and tedious.
Anyhow I offer a bunch of pansies, not a wreath of immortelles. I don't want everlasting flowers, and I don't want to offer them to anybody else. A flower passes, and that perhaps is the best of it. If we can take it in its transcience, its breath, its maybe mephisto phelian, maybe palely ophelian face, the look it gives, the gesture of its full bloom, and the way it turns upon us to depart—that was the flower, we have had it, and no immortelle can give us anything in comparison. The same with the pansy poems; merely the breath of the moment, and one eternal moment easily contradicting the next eternal moment. Only don't nail the pansy down. You won't keep it any better if you do.D. H. Lawrence.
April 1929.
When Lawrence wrote "Pansies" he asked me: "You don't like them, do you?" And I, knowing from experience that camouflage of my reactions did not work, said: "They are so grim."
But I was wrong. It took another world war before these "Pansies" could bloom for me. I hope they will bloom for others.
Frieda Lawrence Ravagli.
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CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 94 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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