The Magic Island
THE MAGIC ISLAND
Books by
W. B. Seabrook
Adventures in Arabia
The Magic Island
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See page 20 “Here are deep matters, not easily to be dismissed by crying blasphemy.”
The Magic Island
By W. B. Seabrook
Illustrated with drawings
by Alexander King
and photographs
by the author

New York
The Literary Guild of America
1929
Copyright, 1929, by
Harcourt, Brace and Company, Inc.
I
The illustrations by Alexander King
reproduced by the Knudsen Process
Printed in the United States of America
by Quinn & Boden Company, Inc. Rahway, N. J.
To
Maman Célie
for reasons which
appear hereafter
Contents
| FOREWORD | 3 | |
| Part One
THE VOODOO RITES | ||
| I. | SECRET FIRE | 7 |
| II. | THE WAY IS OPENED AND CLOSED | 16 |
| III. | THE PETRO SACRIFICE | 28 |
| IV. | THE “OUANGA” CHARM | 45 |
| V. | GOAT-CRY GIRL-CRY | 54 |
| VI. | THE GOD INCARNATE | 70 |
| Part Two
BLACK SORCERY | ||
| I. | THE ALTAR OF SKULLS | 81 |
| II. | “. . . DEAD MEN WORKING IN THE CANE FIELDS ” | 92 |
| III. | TOUSSEL’S PALE BRIDE | 104 |
| IV. | CELESTINE WITH A SILVER DISH | 115 |
| Part Three
THE TRAGIC COMEDY | ||
| I. | A BLIND MAN WALING ON EGGS | 127 |
| II. | A NYMPH IN BRONZE | 134 |
| III. | “THE TRUTH IS A BEAUTIFUL THING” | 142 |
| IV. | A “LADIES AND GENTLEMEN, THE PRESIDENT!” | 150 |
| V. | BUT THE TRUTH BECOMES SOMEWHAT TANGLED | 162 |
| Part Four
TRAILS WINDING | ||
| I. | THE WHITE KING OF LA GONAVE | 171 |
| II. | THE BLACK QUEEN'S COURT | 185 |
| III. | A TORN SCRAP OF PAPER | 194 |
| IV. | PORTRAIT OF A “GROS NEGRE” | 203 |
| V. | “POLYNICE AND HIS WHITE | 207 |
| VI. | THE “DANSE CONGO” | 219 |
| VII. | “NO WHITE MAN COULD BE AS DUMB AS THAT” | 227 |
| VIII. | PORTRAIT OF A SCIENTIST | 239 |
| IX. | MORNE LA SELLE ADVENTURE | 247 |
| X. | THE SOUL OF HAITI | 270 |
| 283 | ||
List of Drawings by Alexander King
| HERE ARE DEEP MATTERS, NOT EASILY TO BE DISMISSED BY CRYING BLASPHEMY | Frontispiece |
| LOUIS’ FACE GLOWED WITH A LIGHT THAT WAS NOT ALWAYS HEAVENLY | 8 |
| DORT DESSILES, WHO WAS A “PAPALOI”’ | 20 |
| MAMAN CELIE, HIGH PRIESTESS OF THE MYSTERIES | 27 |
| THE “MAMALOI” IN A SCARLET ROBE | 35 |
| BLOOD-MADDENED, SEX-MADDENED, GOD-MADDENED . . . DANCED THEIR DARK SATURNALIA | 42 |
| BUT MARKED FOR DEATH BY THE VOODOO CURSE, THEY DIED | 50 |
| AT THE LEFT OF THE ALTAR WERE THE “RADA” DRUMS | 59 |
| AND AS SHE SANG, SHE WAS A DAUGHTER DOOMED TO DIE | 67 |
| THEY WERE STARING FIXEDLY AS ENTRANCED MEDIUMS STARE INTO CRYSTAL GLOBES | 74 |
| CROYANCE, LEADING THE NINE DEAD MEN AND WOMEN | 82 |
| STRANGE TALES ARE TOLD OF VOODOO IN THE BOUDOIR AND SALON | 93 |
| NO ONE DARED TO STOP THEM, FOR THEY WERE CORPSES WALKING IN THE SUNLIGHT | 98 |
| ANTOINE SIMONE, PRESIDENT OF THE REPUBLIC, WAS ACTIVE IN BLACK SORCERY | 112 |
| FACE MAT GOLD LIKE A BYZANTINE POLYCHROME | 154 |
| HE HAD TO WHIP HER ONCE OR TWICE A YEAR | 191 |
| POLYNICE WAS SMARTER THAN ANYBODY | 206 |
| WHEN THE COMBAT BEGINS, THE TWO OWNERS REMAIN IN THE RING | 215 |
| SHE BEGAN A DANCE IN RHYTHM WITH HIS | 246 |
| DARK MOTHER OF MYSTERIES | 277 |
The photographs are inserted at page 310.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1945, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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