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of rushing water. A shriek rose from the throat of a woman. And then terror took possession of all within the room. Panic like the burst of flames flared into their hearts. Of one accord, they rushed upon the stair. And it, being purposely made frail, collapsed before the foremost of the wildly screaming mob had reached its summit. Turbulently they piled over the tables, filling the room with a hideous clamor. But rising above their screams was the shrill roar of the rushing water, and no sound could be more provoking of dread and terror. Somewhere in its circuitous route from the pier to the chamber of its reception it must have met with temporary blockade, for it was several minutes after the sound of it was first detected that the first spray of that death-bringing water leapt into the faces of the doomed occupants of the room.
With the ferocity of a lion springing into the arena of a Roman amphitheater to devour the gladiators set there for its delectation, the black water plunged in. Furiously it surged over the floor of the run, sweeping tables before it and sending its victims, now face to face with their harrowing doom, into a hysteria of terror. In a moment that icy, black water had risen to their knees, although the room was vast. Some fell instantly dead from the shock, or were trampled upon by the desperate rushing of the mob. Tables ware clambered upon. Lamps and candles were extinguished. Brilliant light rapidly faded to twilight, and a ghastly dimness fell over the room as only the suspended lanterns remained lit. And what a scene of chaotic and hideous horror might a spectator have beheld! The gorgeous trumpery of banquet invaded by howling waters of death! Gayly dressed merrymakers caught suddenly in the grip of terror! Gasps and screams of the dying amid tumult and thickening dark!
What more horrible vengeance could Queen Nitocris have conceived than this banquet of death? Not Diablo himself could be capable of anything more fiendishly artistic. Here in the temple of Osiris those nobles and priests who had slain the pharaoh in expiation of his sacrilege against Osiris had now met their deaths. And it was in the waters of the Nile, material symbol of the god Osiris, that they had died. It was magnificent in its irony!
I would be content to end this story here if it were but a story. However, it is not merely a story, as you will have discerned before now if you have been a student of the history of Egypt. Queen Nitocris is not a fictitious personage. In the annals of ancient Egypt she is no inconspicuous figure. Principally responsible for her prominence is her monstrous revenge upon the slayers of her brother, the narration of which I have just concluded. Glad would I be to end this story here; for surely anything following must be in the nature of an anticlimax. However, being not a mere story-teller here, but having upon me also the responsibility of a historian, I feel obliged to continue the account to the point where it was left off by Herodotus, the great Greek historian. And therefore I add this postscript, anticlimax though it be.
The morning of the day after the massacre in the temple, the guests of the queen not having made their return, the citizens of Thebes began to glower with dark suspicions. Rumors came to them through divers channels that something of a most extraordinary and calamitous nature had occurred at the scene of the banquet during the night. Some had it that the temple had collapsed upon the
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