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OUT OF NAZARETH
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again toward the mountains. Without preliminary or affectation or demurral she began, in rather thrilling and more deeply pitched tones to recite these lines:
“The Georgia hills, the Georgia hills!—
Oh, heart, why dost thou pine?
Are not these sheltered lowlands fair
With mead and bloom and vine?
Ah! as the slow-paced river here
Broods on its natal rills
My spirit drifts, in longing sweet,
Back to the Georgia hills
Oh, heart, why dost thou pine?
Are not these sheltered lowlands fair
With mead and bloom and vine?
Ah! as the slow-paced river here
Broods on its natal rills
My spirit drifts, in longing sweet,
Back to the Georgia hills
“And through the close-drawn, curtained night
I steal on sleep’s slow wings
Back to my heart’s ease—slopes of pine—
Where end my wanderings.
Oh, heaven seems nearer from their tops—
And farther earthly ills—
Even in dreams, if I may but
Dream of my Georgia hills.
I steal on sleep’s slow wings
Back to my heart’s ease—slopes of pine—
Where end my wanderings.
Oh, heaven seems nearer from their tops—
And farther earthly ills—
Even in dreams, if I may but
Dream of my Georgia hills.
The grass upon their orchard sides
Is a fine couch to me;
The common note of each small bird
Passes all minstrelsy.
It would not seem so dread a thing
If, when the Reaper wills,
He might come there and take my hand
Up in the Georgia hills.”
Is a fine couch to me;
The common note of each small bird
Passes all minstrelsy.
It would not seem so dread a thing
If, when the Reaper wills,
He might come there and take my hand
Up in the Georgia hills.”
“That’s great stuff, ma’am,” said J. Pinkney Bloom, enthusiastically, when the poetess had con-
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