Page:The treasure of the humble (IA cu31924072557063).pdf/151

essence and its laws. It was the nature of disaster with which the earliest tragic writers were, all unconsciously, preoccupied, and this it was that, though they knew it not, threw a solemn shadow round the hard and violent gestures of external death; and it is this, too, that has become the rallying-point of the most recent dramas, the centre of light with strange flames gleaming, about which revolve the souls of women and of men. And a step has been taken towards the mystery so that life's terrors may be looked in the face.

It would be interesting to discover from what point of view our latest tragic writers appear to regard the disaster that forms the basis of all dramatic poems. They see it from a nearer point of vision than the Greeks, and they have penetrated deeper into the fertile darknesses of its inner circle. The divinity is perhaps the same; they know nothing of it, yet do they study