Page:The practice of water-colour painting (IA cu31924014501971).pdf/91

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MR. FRANK BRANGWYN

transparent method in the same painting. He makes, by the way, no rule as to working with his paper wet; he puts his washes on to a wet or a dry surface as circumstances may demand, or as the nature of the subject he is treating may seem to indicate.

The colours he uses are cobalt, French blue, yellow ochre, cadmium No. 2, vermilion, Venetian red, burnt sienna, sepia, black, and Chinese white.

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