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tained for her sister. Pretty pink Maud had cast me out, but I appear to have passed in the flurried little circle for a magnanimous youth. Pretty pink Maud, so lovely then, before her troubles, that dusky Jane was gratefully conscious of all she made up for, Maud Stannace, very literary too, very languishing and extremely bullied by her mother, had yielded, invidiously, as it might have struck me, to Ray Limbert's suit, which Mrs. Stannace was not the woman to stomach. Mrs. Stannace was never the woman to do anything: she had been shocked at the way her children, with the grubby taint of their father's blood (he had published pale Remains or flat Conversations of his father) breathed the alien air of authorship. If not the daughter, nor even the niece, she was, if I am not mistaken, the second cousin of a hundred earls, and a great stickler for relationship, so that she had other views for her brilliant child, especially after her quiet one (such had been her original discreet forecast of the producer of eighty volumes) became the second wife of an ex-army-surgeon, already the father of four children. Mrs. Stannace had too manifestly dreamed it would be given to pretty pink Maud to detach some one of the hundred (he wouldn't be missed) from the cluster. It was because she cared only for cousins that I unlearnt the way to her house, which she had once reminded me was one of the few paths of gentility indulgently open to me. Ralph Limbert, who belonged to nobody and had done nothing—nothing even at Cambridge—had only the uncanny spell he had cast upon her younger daughter to recommend him; but if her younger daughter had a spark of filial feeling she wouldn't commit the indecency of deserting for his sake a deeply dependent and intensely aggravated mother.

These things I learned from Jane Highmore, who, as if her books had been babies (they remained her only ones) had waited till after marriage to show what she could do, and now bade fair to