Page:The Viaduct Murder (1926).pdf/139

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PIANO ACCOMPANIMENT
125
"Yes, I ken that chest, it's as full as can be
With my own odds and ends, and it's all full of drawers,
And the key's on the mantelpiece if you don't believe me
With his hounds and his horn in the morning,"

was the reassuring, if not very metrical, reply.

"Then that does for the wall. Now, the window wall's thick; you can see that from the window recesses. On the other hand, it's got to carry the thickness of the outer wall, and the outer walls of Tudor buildings are generally pretty thick. Artillery, you see, had abolished the castle idea, but from force of habit they went on making their outside walls thick, because you never knew what might happen. And of course some of these brick houses did stand siege⁠—you know Aston Hall, I expect, in Birmingham. It sounds genuine when you tap it, doesn't it?"

"Yes," said Gordon, listening. "Besides, if you come to think of it, this house is pre-Reformation. There was no reason why they should want a secret passage in it when it was built. But when the bad times started, and they wanted a refuge for the priests, the man who came to build the hiding-place wouldn't play any tricks with a great solid outside wall. He would surely run up a false partition between two rooms."

"Admirable," said Carmichael. "It looks as if we should have to trespass on Reeves' neighbours. Reeves, who lives in the rooms next yours?"