Page:The Strand Magazine (Volume 42).djvu/223
Judith Lee: Pages from Her Life.
By Richard Marsh.
Illustrated W. R. S. Stott.
[A new detective method is such a rare thing that it is with unusual pleasure we introduce our readers to Judith Lee, the fortunate possessor of a gift which gives her a place apart in detective fiction. Mr. Marsh's heroine is one whose fortunes, we predict with confidence, will be followed with the greatest interest from month to month.]
I.—The Man Who Cut Off My Hair.
y name is Judith Lee. I am a teacher of the deaf and dumb. I teach them by what is called the oral system—that is, the lip-reading system. When people pronounce a word correctly they all make exactly the same movements with their lips, so that, without hearing a sound, you only have to watch them very closely to know what they are saying. Of course, this needs practice, and some people do it better and quicker than others. I suppose I must have a special sort of knack in that direction, because I do not remember a time when, by merely watching people speaking at a distance, no matter at what distance if I could see them clearly, I did not know what they were saying. In my case the gift, or knack, or whatever it is, is hereditary. My father was a teacher of the deaf and dumb—a very successful one. His father was, I believe, one of the originators of the oral system. My mother, when she was first married, had an impediment in her speech which practically made her dumb; though she was stone deaf, she became so expert at lip-reading that she could not only tell what others were saying, but she could speak herself—audibly, although she could not hear her own voice.
So, you see, I have lived in the atmosphere of lip-reading all my life. When people, as they often do, think my skill at it borders on the marvellous, I always explain to them that it is nothing of the kind, that mine is simply a case of "practice makes perfect." This knack of mine, in a way, is almost equivalent to another sense. It has led me into the most singular situations, and it has been the cause of many really extraordinary adventures. I will tell you of one which happened to me when I was quite a child, the details of which have never faded from my memory.
My father and mother were abroad, and I was staying, with some old and trusted servants, in a little cottage which we had in the country. I suppose I must have been between twelve and thirteen years of age. I was returning by train to the cottage from a short visit which I had been paying to some friends. In my compartment there were two persons besides myself—an elderly woman who sat in front of me, and a man who was at the other end of her seat. At a station not very far from my home the woman got out; a man got in and placed himself beside the one who was already there. I could see they were acquaintances—they began to talk to each other.
They had been talking together for some minutes in such low tones that you could not only not hear their words, you could scarcely tell that they were speaking. But that made no difference to me; though they spoke In the tiniest whisper I had only to look at their faces to know exactly what they were saying. As a matter of fact, happening to glance up from the magazine I was reading, I saw the man who had been there first say to the other something which gave me quite a start. What he said was this (I only saw the fag-end of the sentence):—
". . . Myrtle Cottage; it's got a great, old myrtle in the front garden."
The other man said something, but as his face was turned from me I could not see what; the tone in which he spoke was so subdued that hearing was out of the question. The first man replied (whose face was to me):—
"His name is Colegate. He's an old bachelor, who uses the place as a summer cottage. I know him well—all the dealers know him. He's got some of the finest old silver in England. There's a Charles II. salt-cellar in the place which would fetch twenty pounds an ounce anywhere."
The other man sat up erect and shook his head, looking straight in front of him, so
Copyright, 1911, by Richard Marsh.