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A TRAGEDY.
55
Say, I do not—by what she has forbidden,
I know what should be done—then haste thee, brother;
Facilitate count Edmund's interview
With Adeliza; nourish their young passion—
Curse them—and if you can—why—join their hands.
I know what should be done—then haste thee, brother;
Facilitate count Edmund's interview
With Adeliza; nourish their young passion—
Curse them—and if you can—why—join their hands.
MARTIN.
I tremble!
I tremble!
BENEDICT.
Dastard, tremble, if we fail.
What can we fear, when we have ruin'd them?
(A deep-toned voice is heard.)
Forbear!
Dastard, tremble, if we fail.
What can we fear, when we have ruin'd them?
(A deep-toned voice is heard.)
Forbear!
BENEDICT.
Ha! whence that sound!
(Voice again.) Forbear!
Ha! whence that sound!
(Voice again.) Forbear!
BENEDICT.
Again!
Comes it from heav'n or hell?
(Voice again.) Forbear!
Again!
Comes it from heav'n or hell?
(Voice again.) Forbear!
MARTIN.
Good angels,
Protect me!—Benedict, thy unholy purpose—
Good angels,
Protect me!—Benedict, thy unholy purpose—
SCENE II.
BENEDICT, MARTIN, ADELIZA, Friars.
[A procession of friars, chanting a funeral anthem, and followed by Adeliza, advance slowly from a cloyster at the end of the stage.]
The Anthem.
Forbear! forbear forbear!
The pious are heav'n's care.
Forbear! forbear forbear!
The pious are heav'n's care.
Lamentations