Page:The Dialogues of Plato v. 1.djvu/548

Ion. No.

not of what a slave or a cowherd ought to say, but of what a general ought to say, and accidentally of what the professors of other arts would say. Soc. At any rate he will know what a general ought to say when exhorting his soldiers?

Ion. Yes, that is the sort of thing which the rhapsode will be sure to know.

Soc. Well, but is the art of the rhapsode the art of the general?

Ion. I am sure that I should know what a general ought to say.

Soc. Why, yes. Ion, because you may possibly have a knowledge of the art of the general as well as of the rhapsode; and you may also have a knowledge of horsemanship as well as of the lyre: and then you would know when horses were well or ill managed. But suppose I were to ask you: By the help of which art, Ion, do you know whether horses are well managed, by your skill as a horseman or as a performer on the lyre—what would you answer?

Ion. I should reply, by my skill as a horseman.

Soc. And if you judged of performers on the lyre, you would admit that you judged of them as a performer on the lyre, and not as a horseman?

Ion. Yes.

Soc. And in judging of the general's art, do you judge of it as a general or a rhapsode?

Ion. To me there appears to be no difference between them.

⁵⁴¹ Soc. What do you mean? Do you mean to say that the art of the rhapsode and of the general is the same?

Ion. Yes, one and the same.

Soc. Then he who is a good rhapsode is also a good general?

Ion. Certainly, Socrates.

Soc. And he who is a good general is also a good rhapsode?

Ion is made to admit that he, being the best of the rhapsodes, is also the best of generals. Ion. No; I do not say that.

Soc. But you do say that he who is a good rhapsode is also a good general.

Ion. Certainly.

Soc. And you are the best of Hellenic rhapsodes?

Ion. Far the best, Socrates.