Page:The Dialogues of Plato v. 1.djvu/544

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Who is the best critic of Homer?.
505

Ion.

Socrates, Ion.

you have answered a question which I have to ask. On what part of Homer do you speak well?—not surely about every part.

Ion knows every part of Homer. Ion. There is no part, Socrates, about which I do not speak well: of that I can assure you.

Soc. Surely not about things in Homer of which you have no knowledge?

Ion. And what is there in Homer of which I have no knowledge?

537 Soc. Why, does not Homer speak in many passages about arts? For example, about driving; if I can only remember the lines I will repeat them.

Ion. I remember, and will repeat them.

Soc. Tell me then, what Nestor says to Antilochus, his son, where he bids him be careful of the turn at the horse-race in honour of Patroclus.

Ion. 'Bend gently,' he says, 'in the polished chariot to the left of them, and urge the horse on the right hand with whip and voice; and slacken the rein. And when you are at the goal, let the left horse draw near, yet so that the nave of the well-wrought wheel may not even seem to touch the extremity; and avoid catching the stone[1].'

Soc. Enough. Now, Ion, will the charioteer or the physician be the better judge of the propriety of these lines?

Ion. The charioteer, clearly.

Soc. And will the reason be that this is his art, or will there be any other reason?

Ion. No, that will be the reason.

Soc. And every art is appointed by God to have knowledge of a certain work; for that which we know by the art of the pilot we do not know by the art of medicine?

Ion. Certainly not.

Soc. Nor do we know by the art of the carpenter that which we know by the art of medicine?

Ion. Certainly not.

Soc. And this is true of all the arts;—that which we know with one art we do not know with the other? But let me ask a prior question: You admit that there are differences of arts?

  1. Il. xxiii. 335.