Page:The Dialogues of Plato v. 1.djvu/201
Protagoras.
you and I have been discussing to the domain of poetry; we will speak as before of virtue, but in reference to a passage of a poet. Now Simonides says to Scopas the son of Creon the Thessalian:—
Do you know the poem? or shall I repeat the whole?
There is no need, I said; for I am perfectly well acquainted with the ode,—I have made a careful study of it.
Very well, he said. And do you think that the ode is a good composition, and true?
Yes, I said, both good and true.
But if there is a contradiction, can the composition be good or true?
No, not in that case, I replied.
And is there not a contradiction? he asked. Reflect.
Well, my friend, I have reflected.
And does not the poet proceed to say, 'I do not agree with the word of Pittacus, albeit the utterance of a wise man: Hardly can a man be good?' Now you will observe that this is said by the same poet.
I know it.
And do you think, he said, that the two sayings are consistent?
Yes, I said, I think so (at the same time I could not help fearing that there might be something in what he said). And you think otherwise?
There is an apparent contradiction in the words of Simonides: he blames what he also affirms. Why, he said, how can he be consistent in both? First of all premising as his own thought, 'Hardly can a man become truly good;' and then a little further on in the poem, forgetting, and blaming Pittacus and refusing to agree with him, when he says, 'Hardly can a man be good,' which is the very same thing. And yet when he blames him who also says the same with himself, he blames himself; so that he must be wrong either in his first or his second assertion.
Many of the audience cheered and applauded this. And I felt at first giddy and faint, as if I had received a blow from the hand of an expert boxer, when I heard his words and the sound of the cheering; and to confess the truth, I wanted to get time to think what the meaning of the poet really was.