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MADEMOISELLE MIMI.
165

We may go back to leg-of-mutton sleeves and frilled trousers, and some fine day see hats come into fashion which would afflict the universe and call down the wrath of heaven.

And now the moment is come to relate the loves of our friend Rodolphe and Mademoiselle Mimi. It was just as he was turned four and twenty that Rodolphe was suddenly smitten with the passion that had such an influence upon his life. At the time he met Mimi he was leading that broken and fastastic existence that we have tried to describe in the preceding chapters of this book. He was certainly one of the gayest endurers of poverty in the world of Bohemia. When in course of the day he had made a poor dinner and a smart remark, he walked more proudly in his black coat (pleading for help through every gaping seam) along the pavement that often promised to be his only resting place for the night, than an emperor in his purple robe. In the group amongst whom Rodolphe lived, they affected, after a fashion common enough amongst some young fellows, to treat love as a thing of luxury, a pretext for jesting. Gustave Colline, who had for a long time past been in intimate relations with a waistcoat maker, whom he was rendering deformed in mind and body by obliging her to sit day and night copying the manuscripts of his philosophical works, asserted that love was a kind of purgative, good to take at the beginning of each season in order to get rid of humors. Amidst all these false skeptics Rodolphe was the only one who dared to talk of love with some reverence, and when they had the misfortune to let him harp on this string, he would go on for an hour plaintively warbling elegies on the happiness of being loved, the deep blue of the peaceful lake, the song of the breeze, the harmony of the stars, etc., etc. This mania had caused him to be nicknamed the harmonica by Schaunard. Marcel had also made on this subject a very neat remark when, alluding to