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THE BLACK CAMEL

attack them. Robert Fyfe was uppermost in his thoughts, so he drove at once to the Waioli Hotel.

Mr. Fyfe, the clerk said, had gone out with a man. What man? The description left no doubt as to the identity of Fyfe’s caller, and Charlie frowned. What did Smith want of the actor? What had he overheard when he stood outside that pavilion window? Why had Fyfe confessed to a crime he had not committed? He couldn’t have committed it, obviously. Not if his story of his actions on the previous night was correct—ah, yes, Charlie reflected, he must look into that.

“I think I heard Mr. Fyfe say he was going to the theater,” the clerk remarked.

Chan was not up on the drama. “What theater, please?” he inquired.

“The Royal,” the clerk told him, and Charlie went there.

He entered from the street, passing from a tiled lobby into the dark auditorium. On the stage the members of the stock company were rehearsing next week’s piece. A few old kitchen chairs represented exits and entrances, and the players stood about, waiting for their cues. At the moment Fyfe was delivering a long speech; he gave it languidly, as though it were something with which he had no personal concern.

Charlie walked down the dim aisle. A man with a green velour hat pulled low over his eyes, who sat at a small table on the stage with the play script in his hand, looked down at the detective with evident annoyance. “What do you want?” he barked.

“Just one word, please, with Mr. Fyfe,” Chan replied.

The actor stepped forward and, shading his eyes