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The Ball and the Cross

always made all human blood turn bitter. The Master was standing in the middle of the room surveying the scene like a great artist looking at a completed picture. Handsome as he looked, they had never seen so clearly what was really hateful in his face; and even then they could only express it by saying that the arched brows and the long emphatic chin gave it always a look of being lit from below, like the face of some infernal actor.

“This is indeed a cosy party,” he said with glittering eyes.

The Master evidently meant to say more, but before he could say anything M. Durand had stepped right up to him and was speaking.

He was speaking exactly as a French bourgeois speaks to the manager of a restaurant. That is, he spoke with rattling and breathless rapidity, but with no incoherence, and therefore with no emotion. It was a steady, monotonous vivacity, which came not seemingly from passion, but merely from the reason having been sent off at a gallop. He was saying something like this:

“You refuse me my half-bottle of Médoc, the drink the most wholesome and the most customary. You refuse me the company and obedience