Page:The Atlantic Monthly Volume 68.djvu/455
bers" and "I'll tell you how the sun rose," together with the two that here follow. The first comprises in its eight lines a truth so searching that it seems a condensed summary of the whole experience of a long life:—
We play at paste
Till qualified for pearl;
Then drop the paste
And deem ourself a fool.
The shapes, though, were similar
And our new hands
Learned gem-tactics,
Practicing sands.
Then came one which I have always classed among the most exquisite of her productions, with a singular felicity of phrase and an aerial lift that bears the ear upward with the bee it traces:—
The nearest dream recedes unrealized.
The heaven we chase,
Like the June bee
Before the schoolboy,
Invites the race,
Stoops to an easy clover,
Dips—evades—teases—deploys—
Then to the royal clouds
Lifts his light pinnace,
Heedless of the boy
Staring, bewildered, at the mocking sky.
Homesick for steadfast honey,—
Ah! the bee flies not
Which brews that rare variety.
The impression of a wholly new and original poetic genius was as distinct on my mind at the first reading of these four poems as it is now, after thirty years of further knowledge; and with it came the problem never yet solved, what place ought to be assigned in literature to what is so remarkable, yet so elusive of criticism. The bee himself did not evade the schoolboy more than she evaded me; and even at this day I still stand somewhat bewildered, like the boy.
Circumstances, however, soon brought me in contact with an uncle of Emily Dickinson, a gentleman not now living; a prominent citizen of Worcester, a man of integrity and character, who shared her abruptness and impulsiveness but certainly not her poetic temperament, from which he was indeed singularly remote. He could tell but little of her, she being evidently an enigma to him, as to me. It is hard to tell what answer was made by me, under these circumstances, to this letter. It is probable that the adviser sought to gain time a little and find out with what strange creature he was dealing. I remember to have ventured on some criticism which she afterwards called "surgery," and on some questions, part of which she evaded, as will be seen, with a naïve skill such as the most experienced and worldly coquette might envy. Her second letter (received April 26, 1862), was as follows:—
Mr. Higginson,—Your kindness claimed earlier gratitude, but I was ill, and write to-day from my pillow.
Thank you for the surgery; it was not so painful as I supposed. I bring you others, as you ask, though they might not differ. While my thought is undressed, I can make the distinction; but when I put them in the gown, they look alike and numb.
You asked how old I was? I made no verse, but one or two, until this winter, sir.
I had a terror since September, I could tell to none; and so I sing, as the boy does of the burying ground, because I am afraid.
You inquire my books. For poets, I have Keats, and Mr. and Mrs. Browning. For prose, Mr. Ruskin, Sir Thomas Browne, and the Revelations. I went to school, but in your manner of the phrase had no education. When a little girl, I had a friend who taught me Immortality; but venturing too near, himself, he never returned. Soon after my tutor died, and for several years my lexicon was my only companion. Then I found one more, but he was not contented I be his scholar, so he left the land.