Page:The Atlantic Monthly Volume 52.djvu/13

De Pretis has a very good one; and Nino studies without anything—just a common tuning fork that he carries in his pocket. But the old piano was the beginning of his fame. He got into the sitting-room one day, by himself, and found out that he could make a noise by striking the keys, and then he discovered that he could make tunes, and pick out the ones that were always ringing in his head. After that he could hardly be dragged away from it, so that I sent him to school to have some quiet in the house.

He was a clever boy, and I taught him Latin and gave him our poets to read; and as he grew up I would have made a scholar of him, but he would not. At least, he was always willing to learn and to read; but he was always singing too. Once I caught him declaiming "Arma virumque cano" to an uir from Trovatore, and I knew he could never be a scholar then, though he might know a great deal. Besides, he always preferred Dante to Virgil, and Leopardi to Horace.

One day, when he was sixteen or thereabouts, he was making a noise, as usual, shouting some motive or other to Mariuccia and the cat, while I was laboring to collect my senses over a lecture I had to prepare. Suddenly his voice cracked horribly and his singing ended in a sort of groan. It happened again once or twice, the next day, and then the house was quiet. I found him at night asleep over the old piano, his eyes all wet with tears.

"What is the matter, Nino?" I asked. "It is time for youngsters like you to be in bed."

"Ah, Messer Cornelio," he said, when he was awake, "I had better go to bed, as you say. I shall never sing again, for my voice is all broken to pieces;" and he sobbed bitterly.

"The saints be praised," thought I; "I shall make a philosopher of you yet!"

But he would not be comforted, and for several months he went about as if he were trying to find the moon, as we say; and though he read his books and made progress, he was always sad and wretched, and grew much thinner, so that Mariuccia said he was consuming himself, and I thought he must be in love. But the house was very quiet.

I thought as he did, that he would never sing again, but I never talked to him about it, lest he should try, now that he was as quiet as a nightingale with its tongue cut out. But nature meant differently, I suppose. One day De Pretis came to see me; it must have been near the new year, for he never came often at that time. It was only a friendly recollection of the days when I had a castello and a church of my own at Serveti, and used to have him come from Rome to sing at the festa, and he came every year to see me; and his head grew bald as mine grew gray, so that at last he wears a black skull cap everywhere, like a priest, and only takes it off when he sings the Gloria Patri, or at the Elevation. However, he came to see me, and Nino sat mutely by, as we smoked a little and drank the syrup of violets with water that Mariuccia brought us. It was one of her eternal extravagances, but somehow, though she never understood the value of economy, my professorship brought in more than enough for us, and it was not long after this that I began to buy the bit of vineyard out of Porta Salara, by installments from my savings. And since then, we have our own wine.

De Pretis was talking to me about a new opera that he had heard. He never sang except in church, of course, but he used to go to the theatre of an evening; so it was quite natural that he should go to the piano and begin to sing a snatch of the tenor air to me, explaining the situation as he went along, between his singing.

Nino could not sit still, and went