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windows though convenient accorded little with the structure; the old entrance door in the centre of the building however still remained, a wondrous specimen of fantastic carving: Ionic columns of black oak, with a profusion of fruits and flowers, and heads of stags and sylvans. The whole of the building was crowned with a considerable pediment of what seemed at the first glance fanciful open work, but which examined more nearly offered in gigantic letters the motto of the house of Marney. The portal opened to a hall, such as is now rarely found; with the dais, the screen, the gallery, and the buttery-hatch all perfect, and all of carved black oak. Modern luxury, and the refined taste of the lady of the late lord, had made Marney Abbey as remarkable for its comfort and pleasantness of accommodation as for its ancient state and splendour. The apartments were in general furnished with all the cheerful ease and brilliancy of the modern mansion of a noble, but the grand gallery of the seventeenth century was still preserved, and was used on great occasions as the chief reception-room.