Page:Statius (Mozley 1928) v1.djvu/17

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INTRODUCTION

(iv. 3), an entertainment in the Amphitheatre (i. 6). Among the personages introduced are the poet’s own friend and patron Pollius Felix, wealthy and cultured, the literary Epicurean Manlius Vopiscus, the soldier Rutilius Gallicus, of noble birth and distinguished career, the young Maecius Celer, just off to the Syrian front, the art-collector Novius Vindex, the freedman Claudius Etruscus, who had risen from slavery to the position of secretary of finance to the Emperor Nero, one of the three great secretaryships of the early Empire.

By far the greater number of these pieces are written in hexameters, a metre first applied by Statius, so far as we know, to the composition of genre poems of this kind, and employed with marvellous facility and ease; the lines run smoothly, though without the extreme elaboration that we sometimes find in the Thebaid, and without great attention to variation of pause, or subtlety of alliterative effect. He displays wonderful skill in expression and choice of phrase; when describing, for instance, the water flowing in its silver channels in the Baths of Claudius Etruscus, he says (i. 5. 48):

      argento felix propellitur unda
argentoque cadit, labrisque nitentibus instat
delicias mirata suas et abire recusat.

and, of the stream outside:

extra autem niveo qui margine caerulus amnis
vivit.

In his address to his wife, again, speaking of the peacefulness of Naples, he says (iii. 5. 87):

nulla foro rabies aut strictae in iurgia leges,
morum iura viris solum et sine fascibus aequum.

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