Page:Sixty Phrenological Specimens 1831.pdf/11

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Reverence, Marvellousness, and Conscientiousness small.
No. 49.—A painter, with the organs of Constructiveness, Individuality, Size, Form, Colouring, Ideality, the reflective faculties, Imitation, Marvellousness, Acquisitiveness, Firmness, Conscientiousness, Cautiousness, Tune, and Adhesiveness large; and with those of Combativeness and Destructiveness small.
No. 50.—A poet with the organs of Ideality, Tune, Order, Time, Eventuality, Language, Secretiveness, Cautiousness, Love of approbation, and Firmness large; and with those of the reflective faculties, Amativeness, Combativeness, Reference and Hope small.
No.51.—A poet with the organs of Ideality, Tune, Time, Eventuality, Mirthfulness, Imitation, Comparison, Alimentiveness, Amativeness, and Self-esteem large; and with those of Reverence, Conscientiousness, Cautiousness, love of approbation, and Adhesiveness small.
No. 52.—A poet with the organs of Ideality, Order, Tune, time, the reflective faculties, Marvellousness, Firmness, Cautiousness, Combativeness, Constructiveness, and Love of approbation large; and with those of individuality, Size, Locality, Benevolence; Reference, Hope, Self-esteem and Adhesiveness small.
No. 53.—A poet with the organs of Ideality, Tune, Time, Language, Individuality, Form, Size, Eventuality, Comparison, Marvellousness, Firmness, Conscientiousness, Cautiousness, Combativeness, and Destructiveness large; with those of Causality, Mirthfulness, and Secretiveness small, and with the occipital region short.
No. 54.—A scientific man, with the organs of Individuality, Eventuality, Language, Secretiveness, Benevolence, Reverence, Firmness, Self-esteem, and Love of approbation large; and with those of the reflective faculties, Ideality, Amativeness, and Adhesiveness small.
No. 55.—An erudite, with the organs of the
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