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stories are chiefly Buh Rabbit, Buh Lion, Buh Wolf and Buh Deer, though sometimes we hear of Buh Elephant, Buh Fox, Buh Cooter and Buh Goose. As a rule, each Buh sustains in.every fable the same general character. Buh Deer is always a simpleton; Buh Wolf always rapacious and tricky; Buh Rabbit foppish, vain, quick-witted, though at times a great fool; Buh Elephant quiet, sensible and dignified.

Of the Buh fables, that which is by all odds the greatest favorite, and which appears in the greatest variety of forms, is the "Story of Buh Rabbit and the Tar Baby." Each variation preserves the great landmarks, particularly the closing scene. According to the most thoroughly African version, it runs thus: Buh Rabbit and Buh Wolf are neighbors. In a conversation one day Buh Wolf proposes that they two shall dig a well for their joint benefit, instead of depending upon chance rainfalls or going to distant pools or branches, as they often have to do, to quench their thirst. To this Buh Rabbit, who has no fondness for labor, though willing enough to enjoy its fruits, offers various objections, and finally gives a flat refusal.

"Well," says Buh Wolf, who perfectly understands his neighbor, "if you no help to dig well, you mustn’t use de water."

"What for I gwine use de water?" responds Buh Rabbit with affected disdain. "What use I got for well? In de mornin' I drink de dew, an' in middle o' day I drink from de cow-tracks."

The well is dug by Buh Wolf alone, who after a while perceives that some one besides himself draws from it. He watches, and soon identifies the intruder as Buh Rabbit, who makes his visits by night. "Ebery mornin' he see Buh Rabbit tracks—ebery mornin' Buh Rabbit tracks." Indignant at the intrusion, he resolves to set a trap for his thievish neighbor and to put him to death. Knowing Buh Rabbit's buckish love for the ladies, he fits up a tar baby, made to look like a beautiful girl, and sets it near the well, By what magical process this manufacture of an attractive-looking young lady out of treacherous adhesive tar is accomplished we are not informed. But listeners to stories must not be inquisitive about the mysterious parts: they must be content to hear.

Buh Rabbit, emboldened by long impunity, goes to the well as usual after dark, sees this beautiful creature standing there motionless, peeps at it time and again suspiciously; but being satisfied that it is really a young lady, he makes a polite bow and addresses her in gallant language. The young lady makes no reply. This encourages him to ask if he may not come to take a kiss. Still no reply. He sets his water-bucket on the ground, marches up boldly and obtains the kiss, but finds to his surprise that he cannot get away: his lips are held fast by the tar. He struggles and tries to persuade her to let him go. How he is able to speak with his lips sticking fast is another unexplained mystery; but no matter: he does speak, and most eloquently, yet in vain. He now changes his tone, and threatens her with a slap. Still no answer. He administers the slap, and his hand sticks fast. One after the other, both hands and both feet, as well as his mouth, are thus caught, and poor Buh Rabbit remains a prisoner until Buh Wolf comes the next morning to draw water.

"Eh! eh! Buh Rabbit, wah de matter?" exclaims Buh Wolf, affecting the greatest surprise at his neighbor's woeful plight.

Buh Rabbit, who has as little regard for truth as for honesty, replies, attempting to throw all the blame upon the deceitful maiden by whom he has been entrapped, not even suspecting yet—so we are to infer—that she is made of tar instead of living flesh. He declares with all the earnestness of injured innocence that he was passing by, in the sweet, honest moonlight, in pursuit of his lawful business, when this girl hailed him, and decoyed him into giving her a kiss, and was now holding him in unlawful durance.

The listener ironically commiserates his captive neighbor, and proposes to set him free; when, suddenly noticing the water-bucket and the tracks by the