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THE QUESTION OF PRINCIPLE
7

The tendency of those engaged in advancing material progress, which consists in the subjection of nature to man's ends, is to adapt more and more quickly their methods to changing conditions. Has the world yet faced in a business-like spirit the problem of wiping out wastage on words?

Big industrial concerns scrap machinery while it is yet perfectly capable of running and turning out good work, in order to replace it by newer machinery, capable of turning out more work in the same time. Time is money. Can the busy world afford a language difficulty?

(3) The proposition that it is economically sounder to carry on international intercourse in one easy language than in a large number of hard ones rests upon the principle that it does not pay to do a thing a hard way, if the same results can be produced by an easy way.

The whole industrial revolution brought about by the invention of machinery depended upon this principle. Since an artificial language, like machinery, is a means invented by man of furthering his ends, there seems to be no abuse of analogy in comparing them.

When it was found that machinery would turn out a hundred pieces of cloth while the hand-loom turned out one, the hand-loom was doomed, except in so far as it may serve other ends, antiquarian, aesthetic, or artistic, which are not equally well served by machinery. Similarly, to take another revolution which is going on in our own day through a further application of machinery, when it is found that corn can be reaped and threshed by machinery, that hay can be cut, made, carried, and stacked by machinery, that man can travel the high road by machinery, sooner or later machinery is bound to get the bulk of the job, because it produces the same results at greater speed and less cost. So, in the field of international intercourse, if an easy artificial language can with equal efficiency and at less cost produce the same results as a multiplicity of natural ones, in many lines of human activity, and making all reserves in matters antiquarian, aesthetic, and

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