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THE MUSICAL BANKS.
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matter, that the very selfsame coin with the head of the commonwealth upon it was of little if any value, while it became exceedingly precious if stamped with the other image. Some of the coins were plainly bad; of these last there were not many; still there were enough for them to be not uncommon. These seemed to be entirely composed of alloy; they would bend easily, would melt away to nothing with a little heat, and were quite unsuited for a currency. Yet there were few of the wealthier classes who did not maintain that even these coins were genuine good money, though they were chary of taking them. Every one knew this, so they were seldom offered; but all thought it incumbent upon them to retain a good many in their possession, and to let them be seen from time to time in their hands and purses. Of course people knew their real value exceedingly well; but few, if any, dared to say what that value was; or if they did, it would be only in certain companies or in writing in the newspapers anonymously. Strange! there was hardly any insinuation against this coinage which they would not tolerate and even applaud in their daily papers; and yet, if the same thing were said without ambiguity to their faces—nominative case verb and accusative being all in their right places, and doubt impossible—they would consider themselves very seriously and justly outraged, and accuse the speaker of being unwell.

I never could understand, neither can I do so now, why a single currency should not suffice them; it would seem to me as though all their dealings would have been thus greatly simplified; but I was met with a look of horror if ever I dared to hint at