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Father as Avenger (1538), Art Union, ib.; Male Portrait, Berlin Museum.—Kugler (Crowe), i. 268; Lübke, Mittelalterliche Kunst in Westfalen, 366; W. & W., ii. 503; Zeitschr. f. b. K., xii. 257.


RING, LUDGER TOM, the younger, born at Münster after 1521, died at Brunswick in 1583 or 1584. German school; history and portrait painter, son and pupil of Ludwig the elder; settled in Brunswick, where he obtained the freedom of the city in 1561. Works: Portrait of Doctor Chemmitzer (1569), Art Union, Münster; others in private collections there; Marriage at Cana (1562), Berlin Museum; Portrait of a Lady (miniature), Suermondt Museum, Aix-la-Chapelle.—Kugler (Crowe), i. 268; W. & W., ii. 505; Zeitschr. f. b. K., xii. 320.


RING, PIETER DE, flourished about 1650-60. Dutch school; fruit, flower, and still-life painter, and a successful follower of Jan D. de Heem; master of Guild at Leyden in 1648. Works: Still-Life, Amsterdam Museum; Vanitas (1650), Berlin Museum; Table with Oysters, Lobster, and Fruits, Dresden Gallery; Breakfast Table (2, one dated 1659), Schwerin Gallery.—Kugler (Crowe), ii. 520; Kramm, v. 1370; Schlie, 527.


RIOULT, LOUIS ÉDOUARD, born at Montdidier (Somme), Oct. 26, 1780, died in Paris, March 10, 1855. Genre painter, pupil of David and Regnault. Won second grand prix in 1814. First exhibited in 1819; soon after, having lost the use of his right hand, he learned to paint with his left. Medals: 2d class, 1844; 1st class, 1838. Works: Endymion Asleep (1822); Angelica rescued by Roger (1824), Compiègne Palace; School Boy giving his lunch to a Poor Man (1824); Women Bathing (1827); Calabrian Brigand (1829); Going into the Bath (1831); Bath at the Fountain (1834); Torregiano, Two Girls in a Boat (1835); St. Jerome Praying, Two Girls in a Bath (1836); Siege of Ostend (1837), Versailles Museum; Girl with a Goat, Magdalen (1838); Death of Chevalier d'Assas, Girl with Dogs (1841); Visitation, Diana Bathing, Leda Bathing, Woman Bathing with a Zephyr, Wounded Love (1850); Battle of Hastembeck, 1757, Portraits of the Grand Condé, and his Wife, of Philip V. of Spain, Princesse de Lamballe, Count and Countess of Albany, Madame de Genlis, and twenty-one others, Versailles Museum; Little Savoyard Asleep, Douai Museum; Dorine and Tartuffe, Montargis Museum; Aurora, Saint-Étienne Museum.—Bellier, ii. 384; D. Kunstbl. (1851), 188; Larousse.


RIPOSO, IL. See Repose in Egypt.


RISSE, ROLAND, born in Cologne in 1835. History, genre, and portrait painter, pupil of Düsseldorf Academy under Karl Sohn, Schadow and Bendemann; visited afterwards Munich, Dresden, the Netherlands, and Paris. Works: Christ before Pilate (1856); Christ with a Dove (1858); Christ presenting a Child as Example to his Disciples (1862); Johanna Sebus (1864); Snowdrop and the Dwarfs (1866); Sleeping Beauty (1867); Cinderella (1868); Last Days of Pompeii; Ophelia; God and Bayadere; Portraits of 11 Members of Academy Senate in Tübingen (1878).—Müller, 441.


RITCHIE, ALEXANDER HAY, born in Glasgow, Scotland, Jan. 14, 1822. Portrait and genre painter, and engraver; studied under Sir William Allen in the Royal Institution, Edinburgh. Removed in 1841 to New York, where he has since lived. Elected N.A. in 1871. Works: Washington and his Generals; Death of Lincoln; Mercy at the Wicket Gate; Fitting out Moses for the Fair; Baby, who's that? Portraits: President McCosh and Professors Charles Hodge and H. M. Alexander of Princeton College (1881).


RITTER, EDUARD, born in Vienna in 1808, died there in 1853. Genre painter, pupil of Vienna Academy. Works: Scene in Peasant Family (1838), Country People around Well (1846), Sick Bugle-Player