Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/493
École espagnole; Madrazo, 545; Meyer, Gemälde köngl. Mus., 547; Washburn, Spanish Masters, 96.
ZUSTRIS (Sustris), born at Amsterdam
in 1526, died in Munich in 1599 (?). Dutch
school; history and portrait painter, son of,
and first instructed by, Lambert Zustris,
who is probably the same as Lamberto
d'Amsterdamo mentioned by Vasari as a
pupil of Titian in Venice; then pupil of Jan
Swart of Gröningen, afterwards went to
Florence and there allied himself to Vasari,
who makes honourable mention of him in
1568 as Federigo di Lamberto Fiamingho.
Later on he appears as court painter and
architect to Duke William V. of Bavaria.
Works: Venus and Cupid, Louvre, Paris;
Holy Family, Cassel Gallery.—Kramm, iii.
936; Nagler, xviii. 17; Vasari, ed. Mil., vii.
590.
ZWENGAUER, ANTON, the elder, born
in Munich, Oct. 11, 1810, died there, June
13, 1884. Landscape painter; studied from
nature in the Bavarian Highlands and in
Southern Tyrol. His evening and sunset
landscapes are especially fine. In 1853-69
Conservator of Schleissheim Gallery, since
1869 of Munich Gallery. Works: Noon on
the Alp (1841); Chiem Lake after Sunset
(1847), Harrach Gallery, Vienna; Evening
Landscape with Stag (1851), Evening on
the Alp (1856), New Pinakothek, Munich;
Bay of Kochel Lake, Schack Gallery, ib.;
Deer on a Lake after Sunset, Leipsic Museum;
Four Seasons (1858), Swantreep Gallery,
Christiania; Evening in the Rushes
(1861); Sunset in Bavarian Highlands, Basle
Museum; Village in the Evening (1863);
Return of the Herd (1883). His son, Anton
(born June 12, 1850, pupil of Munich
Academy and of his father), paints in the
latter's style. Works: View on the Isar;
Mill in Nether Bavaria.—Allgem. K. C., viii.
510; Kunst-Chronik, xix. 627; Müller, 576;
Zeitschr. f. b. K., xii. 63.
ZYL, GERARD PIETERSE VAN, born
in Amsterdam or in Leyden, probably about
1615. Dutch school; portrait and genre
painter; was in London with Van Dyck,
and painted so much in the style of that
master, that he was called Little van Dyck;
returned to Amsterdam in or soon after
1641, is mentioned as living there in 1655-58,
and painted genre pieces, especially
merry assemblages. Works: Portraits of
Man and Wife, Brunswick Gallery; Company
of Ladies and Gentlemen, Gallery,
Copenhagen; Music Lesson, Moltke Collection,
ib.—Immerzeel, iii. 262; Riegel,
Beiträge, ii. 291.