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Utrecht, and about 1773 at Amsterdam. He was a deaf-mute. Works: Peasant at Luncheon, Mother nursing Child, Städel Gallery, Frankfort.—Kramm, vi. 1899.


ZEEMAN, REINIER, born in Amsterdam about 1612, died there after 1663. Dutch school; marine painter; real name Remigius Nooms; called Zeeman because in his youth he was a sailor. He visited France (about 1650) and England, and later is said to have resided long in Berlin. Occasionally painted architecture pieces, but represented especially well all kinds of vessels and the waves of the sea. Works: View of the Ancient Louvre, Louvre, Paris; Naval Battle near Leghorn in 1653, View of Amsterdam, Amsterdam Museum; Calm Sea, Rotterdam Museum; Calm Sea with Boats and Fishermen (2), Berlin Museum; Two Men-of-War, Cassel Gallery; Italian Coast View (1659), Brunswick Gallery; two Seaports, Copenhagen Gallery; Seaport (1663), Schwerin Gallery; Marine, Seaport, Landscapes (2), Stockholm Museum; Storm at Sea, Marine View with many Vessels, Stuttgart Museum; Vessels and Harbour, Vienna Museum.—Ch. Blanc, École hollandaise; Immerzeel, iii. 258; Kramm, vi. 1898; Kugler (Crowe), ii. 495; Nagler, Mon., v. 422; Riegel, Beiträge, ii. 355.


ZEEUW, MARINUS DE. See Marinus van Roymerswale.


ZEGERS or ZEGHERS, DANIEL. See Seghers.



ZEGERS (Seghers), GEERAARD, born in Antwerp, baptized March 17, 1591, died there, March 18, 1651. Flemish school; history and genre painter. Said to have studied under Hendrik van Balen and Abraham Janssens; master of the guild in 1609. Really formed himself in Rome, where he was sent by two rich merchants, Goetbenck, and studied particularly the works of Caravaggio and Manfredi. For a time employed at the court of Madrid by Philip III. Returned to Antwerp in 1620. Friend of Rubens and of Van Dyck, who painted his portrait. Works: Christ with Martha and Mary, Madrid Museum; St. Francis in Ecstasy, Louvre; Adoration of the Magi, Toulouse Museum; Descent from the Cross, Dijon Museum; St. Jerome, Lille Museum; Christ at the Pillar, St. Michael's, Ghent; Christ healing the Blind, Raising of Lazarus, St. Lievin raising a Woman, Martyrdom of St. Lievin, Cathedral, ib.; Adoration of the Magi (1630, masterpiece), Notre Dame, Bruges; Marriage of the Virgin (masterpiece), St. Louis of Gonzaga, Ecstasy of St. Theresa, Resurrection, St. Clara, Virgin with the Rosary, St. Norbert, Museum, Antwerp; St. Francis of Assisi, Cathedral, ib.; Holy Family, St. Andrew's, ib.; Adoration of the Magi, Christ appearing to Magdalen, St. James, ib.; Erection of the Cross, St. Charles Borromeo's, ib.; Repast of the Gods, Abduction of Europa, Brunswick Gallery; Beheading of St. Dympna, Schleissheim Gallery; Madonna (2), Hagar and Ishmael, Holy Family (2), Triumph of Silenus, Museum, Vienna; Adoration of Magi, Liechtenstein Gallery, ib.; Madonna in Glory, Uffizi, Florence.—Ch. Blanc, École flamande; Cat. du Mus. d'Anvers, 554; Immerzeel, iii. 33; Kramm, v. 1509; Kugler (Crowe), ii. 293; Michiels, viii. 411; Rooses (Reber), 264; Van den Branden, 879.


ZEITBLOM, BARTHOLOMÄUS, flourished in Ulm, 1484-1517. German school; history and portrait painter, and the most eminent master of the school of Ulm; at first studied engraving under Schongauer, then painting under Schühlein, whose daughter he married in 1483. Although influenced by the school of Franconia, he developed an individual style. We find in

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