Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/480

• ler, ib.; Return to the Convent (1869), R. L.

Cutting, ib.; Minion of Henry III., Fletcher Harper, ib.; The Suitor, C. P. Huntington, ib.; Door of Mosque, M. K. Jesup, ib.; Antechamber, Hunter in the Forest, D. O. Mills, ib.; Disputed Game, W. Rockefeller, ib.; Puzzled Musician, C. S. Smith, ib.; Court Jester (1867 ?), Levying Contributions, J. H. Stebbins, ib.; Court Jesters in Antechambers (1867), Begging Monk (1877), A. T. Stewart Collection, ib.; Strolling Players, J. T. Martin, Brooklyn; Too much Crimson!, Useless Cavalry Boot, Trooper attaching his Spurs, Mrs. W. P. Wilstach, Philadelphia; Armourer's Shop, Mrs. T. A. Scott, ib.; Gardener, W. B. Bement, ib.; Decoration, Fairman Rogers, ib.; Occupation of Spain by the French in 1812 (1866), W. T. Walters, Baltimore; Refectory of the Trinitaires at Rome (1868), Lucius Tuckerman, Washington; Spanish Notary, Judge G. Hoadley, Cincinnati; Morgan Sale, New York, 1886, Singing Lesson (1866), $5,300, Charles Crocker, San Francisco.—Art Journal (1871), 88; Gaz. des B. Arts (1867), xxii. 532; (1868), xxv. 19; (1869), ii. 10; (1870), iv. 49; La Ilustracion (1871); Larousse, xv. 1451.

ZAMPIERI. See Domenichino.

ZANOBIUS, ST., BURIAL OF, Ridolfo Ghirlandajo, Uffizi, Florence; wood, figures life-size. The body carried by six bishops from S. Lorenzo, where it was first buried, to S. M. del Fiore; in passing the Piazza di S. Giovanni, a dead elm, which the coffin happens to touch, revives and puts forth leaves again. Painted about 1512 for brotherhood of S. Zanobi, Florence. One of Ridolfo's best pictures.—Vasari, ed. Mil., vi. 537; C. & C., Italy, iii. 527; Lasinio, i. Pl. 53.

St. Zanobius Raising a Dead Child, Ridolfo Ghirlandajo, Uffizi, Florence.

ZANOBIUS, ST., RAISING A DEAD CHILD, Ridolfo Ghirlandajo, Uffizi, Florence; wood, figures life-size. Bishop Zanobius kneeling in the street in the attitude of prayer, surrounded by a wondering crowd; in foreground, the child reviving; at left, the mother and other women kneeling. Painted about 1512 for brotherhood of S. Zanobi, Florence. Masterly in drawing, modelling, chiaroscuro, and warm and rich in colour.—Vasari, ed. Mil., vi. 537; C. & C., Italy, iii. 527; Lasinio, i. Pl. 52.

ZARA, SIEGE OF, Tintoretto, Palazzo Ducale, Venice; canvas, H. 15 ft. × 13 ft. "A mere battle-piece, in which the figures, like the arrows, are put in by the score. There are high merits in it, and Tintoret may possibly have made the sketch for it."—Ruskin, Stones of Venice, iii. 395; Ch. Blanc, École vénitienne.

ZARATO or ZAROTTO. See Morto da Feltre.

ZEEGELAAR, GERRIT VAN, born at Loenen, near Utrecht, July 16, 1719, died at Wageningen, June 24, 1794. Genre and portrait painter; worked probably at