Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/479

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ft. × 35 ft.), Small Replica (1867), A. T. Stewart Collection, New York; Street in Constantinople, State Secrets (1873); Countess of Caen, Caen Museum; Charge of Cuirassiers at Reichsoffen (1875); Christian Legend (1882).—Bellier, ii. 729; Perrier, Études; Larousse; Hamerton, French Painters.



ZACHARIAH, Michelangelo, Sistine Chapel, Rome; fresco on ceiling.


ZACHARIE, PHILIPPE ERNEST, born at Radepont (Eure); contemporary. Figure painter, pupil of Guillemet and Morin. Medal: 3d class, 1883. Works: Un vieux bouquiniste (1875); Field Flowers, Evening of Epiphany (1876); Punishment of Caiaphas (1877); Good Samaritan (1878); St. Jerome, Woman with Pigeons (1883); Irene and Sebastian (1884); Evening in the Grove (1886).


ZACHO, CHRISTIAN, born near Grenaa, Denmark, March 31, 1843. Landscape painter, pupil at Aarhus of the animal painter Goldberg (born in 1807), then of the Copenhagen Academy; began to exhibit in 1865, went to Italy in 1872, and visited Paris in 1875-76, and again in 1878. The winter of 1881-82 he spent at Mentone. Medal: Copenhagen, 1884. Works: First Snow in Brittany (1881), Copenhagen Gallery; Woodland Scene, Coast Promenade near Copenhagen (1881); View in Deer Park (1882).—Sig. Müller, 373.


ZACHTLEVEN. See Saft-Leven.


ZAGANELLI, FRANCESCO, of Ravenna, born at Cotignola latter half of the 15th century, died after 1518. Bolognese school. Sometimes called Francesco da Cotignola. Pupil of Rondinello, but also connected with school of Palmezzano. His Madonna and Saints, Brera, Milan, dated 1505, shows little talent; but his St. Sebastian of 1513, Constabili Gallery, Ferrara, and his Madonna with portraits of the Pallavicini family of 1518, in the Church of the Nunziata, near Parma, show greater skill in arrangement and better drawing. In the Berlin Museum is an Annunciation (1509). Francesco had a brother Bernardino, sometimes called Bernardino da Cotignola, who was probably his assistant, with no claim to rank as an independent artist.—C. & C., N. Italy, i. 596; Ch. Blanc, École bolonaise; Siret, 566.


ZAHRTMANN, KRISTIAN, born at Rönne, Denmark, March 31, 1843. Genre and portrait painter, pupil of Copenhagen Academy in 1864-68; went to Italy in 1875, studying in Rome and Siena until 1878, and again in 1882 on his way to Greece, whence he returned in 1884. Medal: Copenhagen, 1873. Works: Leonore Christine in Prison (1871); Christian II. and Sigbrit settling Accounts, Scene at Court of Christian VII. (1873); Leonore Christine leaving her Prison (1874); Roman Fruit Shop, Abbate Asleep (1876); Sabine Woman by Child's Cradle (1877); Orange Harvest, The Wise and Foolish Virgins, Fruit-Vender of Amalfi (1878); Flower Girl of Florence (1880); Leonore Christine at Maribo Convent, Death of Queen Sophie Amalie (1882), Copenhagen Gallery; Scene from Rome's Period of Decline; Women carrying Lime (1883); Italian Family Scene.—Sig. Müller, 378.


ZAMACOIS, EDUARDO, born at Bilbao in 1842, died in Madrid, Jan. 14, 1871. Genre painter, pupil at Bilbao of Balaco, then of Madrid Academy under Federico de Madrazo, and in Paris of Meissonier; treated seventeenth century subjects with great success. Medals: Paris, 1867; Munich, 1870. Works: Enlisting of Cervantes, Diderot and d'Alembert (1863); Conscripts in Spain (1864); Entrance of the Toreros (with Vibert), First Sword (1866); Buffoon of the Sixteenth Century, Indirect Contribution, Jester of the Sixteenth Century (1867); Good Pastor (1869); Platonic Love, Education of a Prince (1870). Works in United States: Faust and Marguerite, H. P. Kidder, Boston; Waiting for an Audience, R. C. Taft, Providence; Rival Confessors (1868), J. J. Astor, New York; Message, M. Graham, ib.; Costume Shop, T. R. But-