Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/476
elected an A.R.A. in 1867, and R.A. in 1878. Works: Meeting of Sir Thomas More with his Daughter (1863); La Reine Malheureuse (1864); The Stepping-Stones, Arming the Young Knight (1865); Queen Elizabeth's Reception of the French Ambassador after St. Bartholomew's Day (1866); Dawn of Reformation (1867); Chimney Corner, Lady Jane Grey in the Tower (1868); Fugitive Jacobite, Alarming Footsteps (1869); Maundy Thursday, Love's Young Dream (1870); Dr. Harvey and Children of Charles I. (1871); Old Parishioners (1872); The Suitor (1875); Last Bit of Scandal (1876); Amy Robsart, Waking (1877); La Brigolante, When did you last see your Father? (1878); Here we go round the Mulberry Bush, Dolce far niente (1881); Prince Arthur and Hubert, March Past, Welcome as Flowers in Spring (1882); Tender Thoughts (1883); Toast of the Kitcat Club, Toots (1884); Prisoners of War in 1805, Dessert (1885); Malvina, Catastrophe (1886).—Meynell, 116; Art Journal (1874), 97; Portfolio (1871), 81.
YELLAND, RAYMOND D., born in
London in 1848, and brought to America
in his third year. Landscape painter, pupil
of the National Academy and of William
Page, Wilmarth, and Brevoort in New York.
Elected an A.N.A. of the California Art Association
in 1874, and assistant director of
the School of Design in 1877. Studio in
San Francisco. Works: Half-Moon Beach—Gloucester
Harbour; Seal Rocks—Golden
Gate, San Francisco; Point Bonita
from Point Lobos—Golden Gate (1882);
Mt. Hood from White River Cañon—Oregon
(1883); Cypress Trees at Monterey—California
(1884); Seal Rocks—San Francisco
(1886).
YELLOWSTONE, CAÑON OF THE,
Thomas Moran, Capitol, Washington. Painted
in 1872.—Scribner's Mag., v. 499.
YEOMAN OF THE GUARD, Sir John
Everett Millais, Mrs. Henry Hodgkinson,
London; canvas, H. 4 ft. 8 in. × 3 ft. 9 in.
A life-size, three-quarters length figure of
one of the Queen's Yeomen of the Guard
in his state uniform of scarlet, embroidered
with black and gold, with medals and clasps
upon his breast, a baldric across his shoulder,
a white ruff around his neck, and the
official cap of black velvet on his head.
The old man, a veteran of Waterloo, sits
upright in his chair, holding in his right
hand his staff of office and in his left a
folded paper containing his last orders.
Royal Academy, 1877; Exposition universelle,
Paris, 1878; Fine Art Society, London,
1881; Grosvenor Gallery, 1886. Never
engraved. Etched by Paul Rajon for
Cyclopedia of Painters and Paintings,
1887.
YEWELL, GEORGE HENRY, born at
Havre-de-Grace, Md., Jan. 20, 1830. Landscape
and still-life painter, pupil of Thomas
Hicks in New York, and of Couture in Paris.
Lived several years in Rome. Elected N.A.
in 1880. Studio in New York. Works:
Venice (1871); First Communion, Country
Girl (1872); Senate Chamber—Interior of
Ducal Palace (1877); Carpet Bazaar—Cairo,
Mosque of Kait-Bey—Cairo (1878); Oriental
Bric-à-Brac, Pulpit in S. Marco—Venice
(1879); Village Street in Umbria—Italy
(1880); Old Houses near Titian's Birthplace
(1882); On the Bolton Road—Lake George,
Portrait of Alexander Mitchell (1883); In
the Studio (1884); Entrance to Old Slave-Market
in Cairo (1885); New Cordial, Old
Music (1886); Young Monk (1886), William
Walter Phelps.
YKENS, FRANS, born in Antwerp, baptized
April 17, 1601, died there, probably
in 1693. Flemish school; still-life painter,
pupil of Osias Beert; travelled in France
about 1629, and became master of the guild
at Antwerp in 1630; lived also in Brussels
about 1665-67. Works: Flower-Piece, Museum
Plantin-Moretus, Antwerp; Garland
around Madonna, St. James's, ib.; Still-Life
(1636), Ghent Museum; Fruit-Piece, Berlin
Museum; Festoon of Fruits (1652), Carlsruhe
Gallery; Bouquet, Vienna Museum;
Game and Fruit, Madrid Museum.—Rooses
(Reber), 431; Van den Branden, 1130.