Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/321
Museum; St. James, St. Philip, Christ and the Adulteress, Solomon's Judgment, Salzburg Museum; Solomon's Idolatry, Abigail, Christ and St. John as Children, Corpus Christi, Ferdinandeum, Innsbruck; St. Francis in Prayer, Hermannstadt Gallery; Many altarpieces and fresco paintings in churches at Vienna, Salzburg, and in abbeys of Lower and Upper Austria; Portraits of Imperial Family, of Raphael and Mathias Donner.—Tyrol. K. Lex., 252; Wurzbach, xlvii. 227.
TROOST, CORNELIS, born in Amsterdam,
Oct. 8, 1697,
died there, March
7, 1750. Dutch
school; genre and
portrait painter,
pupil of Arnold
Boonen, but owed
his development
principally to his
own studies after
good masters and
from life. Excelled in genre, guard-house,
and private-life scenes, and in illustrations
of plays of the time. Painted chiefly in
gouache and pastel. Was called the Dutch
Hogarth. Works: Portrait Group of Four
Children with an Ape (1723), Regents' Piece
with Six Portraits (1724), do. with Eight
(1729), Anatomy Lesson (1728), Three Members
of Surgeons' Guild (1731), Alexander
the Great in Battle on the Granicus (1737),
Artist's Portrait (2), Amsterdam Museum;
Portraits of Man and Wife (1744), Haarlem
Museum; Nine Scenes from Dutch Comedies
(1737-41), Five Convivial Scenes (1739-40),
Epiphany Singers, Love Song (1745), Artist's
Portrait (1745), Hague Museum; Lying-in
Room in Holland, Rotterdam Museum;
Victory of Constantine over Maxentius,
Naval Battle, Bamberg Gallery; Eating his
Breakfast (1740), Schwerin Gallery.—Ch.
Blanc, École hollandaise; Burger, Musées, i.
285; Immerzeel, iii. 144; Kramm, vi. 1644.
TROOSTWYCK, WOUTER JOANNES
VAN, born at Amsterdam in 1782, died
there in 1810. Landscape, animal, and portrait
painter, pupil of Juriaan Andriessen
(1742-1819), but studied chiefly from nature,
and was much influenced by the masters
of the 17th century, notably by Potter.
Works: Landscapes in Gelderland (2), Amsterdam
Museum; Landscape with Animals,
Rotterdam Museum.—Immerzeel, iii. 146;
Kramm, vi. 1648.
TROTTER, NEWBOLD HOUGH, born
in Philadelphia, Pa., Jan. 4, 1827. Animal
painter; had no special master, though he
derived aid and instruction from William
T. van Starkenborg, cattle painter, at The
Hague; studied chiefly from nature in this
country. Has painted in Boston and in Philadelphia,
where his studio now is. Works:
The Fading Race (1877), owned in London;
Wounded Bison pursued by Wolves, The
Last Stand, After the Combat, Grizzly Bears
on the March, Indian Camp near Powder
River, painted for Gen. William T. Sherman
for War Department, Washington; Bison
Fighting, Herd of Elk in Winter, A. Padelford,
Philadelphia; Pictures (3) representing
progress of transportation in Pennsylvania
during fifty years, Henry H. Houston,
Pennsylvania Railroad; Fifty Years Ago,
El Mahdi (lion asleep), In the Soudan (lion
and lioness), owned in Philadelphia; Jersey
Beauties (1880); Elk and Twins, Rocks at
Newport (1881); September (1883); Victorious
(1886); Range of the Bison (1887).
TROTTI, GIOVANNI BATTISTA, Cavaliere,
born in Cremona in 1555, died after
1607. Lombard school; called Il Malosso
because when Agostino Carracci painted in
competition with him, at Parma, he said that
he had found a hard bone (mal osso) to crack.
Favourite pupil of Bernardino Campi, whose
niece he married and of whom he became
the heir. Studied also Correggio and Bernardo
Gatti, whose manner he exaggerated.
He had a rich imagination and great facility
of execution, and painted many works for
churches in Cremona, Piacenza, and Parma.
His most noted works are frescos in the
Palazzo del Giordino, and in the cupola of