Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/318

Baptist; below, the members of the Church Militant—on the left the Pope and the clergy, on the right a cardinal encouraging the donor Landauer, who kneels with the female members of his family behind him, and the Emperor and laity; at the bottom, a coast landscape, with the figure of Dürer himself standing at right. Painted for an altarpiece for the chapel of the Landauer Cloister, Nuremberg, which was dedicated to All Saints; hence the picture is sometimes called All Saints. Sent by Nuremberg Council in 1585 to Emperor Rudolph II. at Prague, whence removed to Vienna. Original carved frame, made by Dürer, still in Nuremberg. Copy by Johann Christian Ruprecht at Château of Laxenburg, near Vienna. Engraved in E. Förster's Denkmaler der deutschen Kunst (vi. 13); lithographed by Jutie Primisser.—Thausing (Eaton), ii. 29; Förster, vi.

Adoration of the Trinity, Albrecht Dürer, Vienna Museum.

TRINITY, DISPUTE OF THE, Andrea del Sarto, Palazzo Pitti, Florence; canvas, H. 6 ft. 3 in. × 6 ft. 6 in.; signed. SS. Augustine, Lawrence, Peter Martyr, and Francis, standing, and SS. Sebastian and Mary Magdalen (likeness of Andrea's wife), kneeling; above, the symbol of the Trinity in the clouds. Painted about 1517 for the convent of S. Agostino without the San Gallo gate; removed to S. Jacopo tra' Fossi in 1529, where it was damaged in the inundation of 1555; transported to Pitti in first half of 17th century; copy by Ottaviano Vannini substituted for it in S. Jacopo. Engraved by Lorenzini; Marri.—Vasari, ed. Mil., v. 27; C. & C., Italy, iii. 562; Gal. du Pal. Pitti, iv. Pl. 112; Rosini, iv. 206.

TRINQUESSE, L. R., flourished in Paris and at The Hague, second half of 18th century. French school; portrait and figure painter, pupil of Largillière; was received into the guild at The Hague in 1767; rejected twice by the Academy in Paris; exhibited there as late as 1793. Works: Portrait of Young Lady with Music Leaf (1774), Berlin Museum; Portrait of Washington (1779); Promenade in a Park, Two Women and a Man in Doric Temple before Statue of Cupid, Morning, Afternoon (1782); Oath to Cupid, Offering to Cupid, Mother Reproaching Young Man (1785); First Kiss of Cupid (1787); Conversation in a Landscape, Couple offering their Child to Cupid (1791); Sentimental Conversation in a Park, Lessons of Young Mothers (1793).—Bellier, ii. 592; Kramm, vi. 1644; Meyer, Gemälde der köngl. Mus. (1883), 466, 563.