Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/306
Seville; Boy blowing Soap Bubbles, Hermitage, St. Petersburg.—Stirling, iii. 1302; Ch. Blanc, École espagnole; Viardot, 227; Curtis, 333; Madrazo, 577.
TOBIAS AND THE ANGEL, Murillo, William C. Cartwright, Aynhoe, Northamptonshire, England; canvas, H. 2 ft. 9 in. × 3 ft. 7 in. The angel in a plum-coloured robe, Tobias in a yellowish cloak with a fish in his left hand, both bearing staves, walking in a rocky landscape beside a river; a dog looks up at the angel.—Curtis, 124.
Tobias and the Angel, Salvator Rosa, Louvre, Paris.
By Antonio Pollajuolo, Turin Gallery; H. 5 ft. 11 in. × 3 ft. 10 in. The archangel clad in antique costume, and Tobias in cap, mantle, buskins, and hose; a shaggy dog trots before the archangel; in background, a city and castle, near a river, and two naked men preparing to bathe. Painted for Or' S. Michele, Florence.—Vasari, ed. Mil., iii. 292; C. & C., Italy, ii. 393.
By Salvator Rosa, Louvre, Paris; wood, H. 11 in. × 8 in. The angel Raphael, with a wand in his hand, commands Tobias to seize the fish, which the latter, kneeling, is taking from the water. Engraved by Guttenberg.—Musée français; Landon, Musée, vii. Pl. 7; Filhol, ii. Pl. 111.
By Andrea del Sarto or his school, Vienna Museum; wood, arched, H. 5 ft. 8 in × 4 ft. 10 in. The angel Raphael leading Tobias by the hand; on other side, St. Lawrence and a kneeling donor; above, Christ with his cross, in clouds.—C. & C., Italy, iii. 580; Galerie de Vienne, i. Pl. 11; Ch. Blanc, École florentine.
By Titian, S. Marcellino, Venice; canvas, figures life-size, seen to elbows. The angel and Tobias moving toward the foreground; a spotted dog in front of them; St. John Baptist kneeling at foot of a tree. Painted in 1539. Old copy in Dresden Gallery.—Vasari, ed. Mil., vii. 430; C. & C., Titian, ii. 29.
TOBLER, VIKTOR, born at Trogen,
Switzerland, Jan. 13, 1846. History and
genre painter, pupil of Munich Academy,
and of Wilhelm Lindenschmit. Studio in
Munich. Works: Disputation of Zwingli
at Zürich; Checkmate! (1877), Berne Museum;
Market Scene (1879); Wedding in
Amper Valley, Zürich Gallery; Cradle Song
(1885).—Müller, 523.
TOCQUÉ (Tocquet), LOUIS, born in Paris,
Nov. 19, 1696, died there, Feb. 10, 1772.
French school; portrait painter, son of an
architecture painter, pupil of Nicolas Bertin
and Nattier. Member of the Academy, 1734;
councillor, 1744. Invited to St. Petersburg
by the Empress, and remained there from
1757 to 1758; then visited Stockholm and
Denmark, and returned to Paris in 1760.
In 1769 he revisited Denmark, and was
elected associate of the Copenhagen Academy.
Was an excellent painter of stuffs,
good draughtsman, and agreeable colourist.
Works: Maria Leczinska, Louis of France
(1739), Mme. de Graffigny, M. Dumarsais,
Louvre; Duc de Richelieu, Rothan Gallery;
Empress Elizabeth and Royal Family, Co-