Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/294
- riage of St. Catherine, Bologna Gallery.—Vasari,
ed. Mil., vii. 416; Malvasia, i. 133; Burckhardt, 68, 761; Ch. Blanc, École bolonaise.
TIBERIO D'ASSISI, beginning of 16th
century. Umbrian school; probably pupil
of Perugino, but not mentioned by Vasari.
A painter of less power than Eusebio di
San Giorgio. His best fresco, a Madonna, is
in S. Martino, near Trevi. He painted also
a Madonna and Saints (1510), in S. Francesco,
Montefalco, and a Madonna with Angels
and Saints, in S. Domenico, near Assisi.
The latest date connected with him is 1524.—C.
& C., Italy, iii. 342; Ch. Blanc, École
ombrienne.
TIDEMAND, ADOLF, born at Mandal,
Norway, Aug. 14, 1814,
died in Christiania, Aug.
25, 1876. Genre painter,
pupil in 1832-37 of
Copenhagen Academy,
then of Düsseldorf Academy
under Hildebrandt
and Schadow; went in
1842 to Munich, thence
to Rome, and returned
during the same year to Norway, where
he executed several orders from the King,
and painted portraits for the University of
Christiania; in 1846-48 he lived again in
Düsseldorf, where he settled permanently
in 1849, spending the summer months usually
in Norway. Contributed essentially by
his excellent works to the fame of the Düsseldorf
school, and was made professor.
Member of Christiania, Stockholm, Copenhagen,
Berlin, Dresden, Vienna, Amsterdam,
and Rotterdam Academies. Medals in Berlin,
1848; Paris, 1855; Besançon; Vienna,
1873, etc. Swedish Order of Vasa; Norwegian
Order of Olaf; Prussian Order of
Red Eagle; L. of Honour. Works: Gustavus
Vasa addressing the Dalecarlians,
(1841); Norwegian Christmas Custom, Family
Scene, Peasants' Church (1846); Catechising
in Country Church, Sad News, Domestic
Scene (1847); The Haugians (1848), Düsseldorf
Gallery; replica (1852), Lonely Old
Couple (1849), Christiania Gallery; Bridal
Sail on Hardanger Fjord (1848), Christiania
Art Union; replicas, Lord Ellesmere, London,
and Dr. Lessing, Berlin; Norwegian
Peasant Life (cycle of ten, 1850), Castle
Oscarshall near Christiania; Evening on
Norwegian Lake (1851), National Gallery,
Berlin; Farewell of Norwegian Emigrants
(1851), Leipsic Museum; Night Fishing
(1851), Vienna Art Union; Funeral on Sogne
Fjord (1852), Marquis of Lansdowne (last
three, together with Hans Gude); Neighbour's
Advice, Letter from America (1852);
Norwegian Sunday (1851), Wolf Hunter relating
his Adventures (1853), Funeral in
Norway (1854), Ravené Gallery, Berlin;
Wolf Hunter (1855), Hamburg Gallery;
Grandmother's Tale, Wounded Bear Hunter
(1856), Vienna Museum; Visitation of the
Sick (1860), Christiania Gallery; Adorning
the Bride (1860); Grandmother's Spectacles
(1861); Last Communion of Old Norwegian
Peasant (1863), Königsberg Museum; Duel
at Wedding Feast (1864); Grandmother's
Bridal Crown (1865), Carlsruhe Gallery; Fanatics
(1866); Baptism of Christ (1869),
Trinity Church, Christiania; Four Scenes
from Popular Life (1870); Resurrection
(1871); Farewell of a Dying Man (1872);
Wedding Procession crossing Brook (1873),
Mr. Forbes, London; Laplanders hunting
Reindeer (1873); Christ (1875); Landing
of Colonel Sinclair at Romsdaelen in 1612
(1876, the landscape by Morten Müller).—Blanckarts,
117; Cat. Christiania Gallery
(1885), 98; Illustr. Zeitg. (1876), ii. 337;
Kunst-Chronik, xii. 5; Graph. K., i. 60;
Land und Meer (1874), ii. 766; Wolfg. Müller,
Düsseldf. K., 305; Springer, Gesch.,
165; Wiegmann, Zeitschr. f. b. K., xiv. 393.
TIDEY, HENRY F., born at Worthing,
Jan. 7, 1815, died in London, July 21,
1872. Portrait and subject painter in water-colours;
son and pupil of John Tidey,
who kept an academy at Worthing. Began
as a portrait painter in oils, having among
his sitters members of the royal family and