Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/293
Church, Antwerp; Martyrdom of St. Benedict, and Portrait, Brussels Museum; Temptation of St. Anthony, Conversion of St. Hubert, Consolation of St. Sebastian, Ghent Museum; Pietà, Basle Museum; Marriage of St. Catherine, Copenhagen Gallery; Achilles with Lycomedes, Stockholm Museum; Portrait of David Teniers the younger, Old Pinakothek, Munich; Venus bewailing Adonis, Vienna Museum; Vulcan and Venus surrounded by various Weapons, Varus with do., Hermannstadt Museum; Mercury and Herse (1664), Wörlitz Gallery. His son, Pieter Paul (born, 1652), was also a painter.—Kramm, vi. 1629; Kugler (Crowe), ii. 309; Michiels, ix. 13; Rooses (Reber), 329; Van den Branden, 934; Zeitschr. f. b. K., xiv. 319.
TIARINI, ALESSANDRO, born in Bologna,
March 20,
1577, died there,
Feb. 8, 1668. Bolognese
school; pupil
in Bologna of
Prospero Fontana,
and of Bartolommeo
Cesi; fled, on
account of a quarrel,
to Florence,
where he studied
with Passignano and assisted Poccetti. After
painting in Pisa, Pescia, and other places,
returned to Bologna, and improved his style
by studying the works of the Carracci. His
Miracle of St. Dominic, in S. Domenico, and
his Presentation in the Temple, in S. M. de'
Servi, established his reputation, and he soon
had many commissions in Reggio, Modena,
Cremona, Ferrara, and other cities, which
brought him fame and fortune. His early
pictures are in the style of Passignano;
his later ones show the influence of Lodovico
Carracci. He was of a melancholy disposition,
and his subjects are generally pathetic
and treated in sombre colours, but
admirably harmonized. Among his best
easel pictures are: Marriage of St. Catherine,
St. Catherine in Ecstasy, Madonna in
Glory and Saints, Deposition, Bologna Gallery;
Deposition, Brera, Milan.—Malvasia,
ii. 119; Lanzi, iii. 117; Ch. Blanc, École
bolonaise; Burckhardt, 764, 785, 788, 791;
Lavice, 16, 154.
TIBALDI, PELLEGRINO, Marquis of
Valdelsa, born at Valdelsa,
near Milan, in
1532, died in Milan in
1592. Bolognese
school; real name
Pellegrino di Tibaldo
de' Pellegrini; sometimes
called Pellegrino
da Bologna; son
of a poor mason, who
removed to Bologna when his son was young.
After studying in Bologna, Pellegrino went
to Rome in 1547 and assisted Perino del
Vaga in the Castle of St. Angelo, and Daniele
da Volterra in Trinità de' Monti. He
studied carefully the works of Michelangelo,
and imitated his style so successfully that
he was called by the Carracci, Michelagnolo
Riformato (the reformed Michelangelo). In
1550 he returned to Bologna, where he executed
some admirable works in the Palazzo
Pozzi (now Palazzo dell'Instituto) and in
various churches, and won reputation both
as a painter and an architect. In 1586 he
went, on the invitation of Philip II., to
Spain, where, during the following nine
years, he executed a great number of mural
paintings in the Escorial, the pictures of
Federigo Zucchero having been expunged
to make room for them. He returned to
Milan wealthy and ennobled by the King.
Domenico Tibaldi (1541-83), painter, engraver,
and architect, was his brother, and
not his son, as Malvasia says. Works: St.
Cecilia, Museum, Vienna; Adoration of the
Shepherds, Liechtenstein Gallery, ib.; Mar-