Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/279

in the Shop, and do. as Tailors; in the Turin Gallery: A Guitar Player.—Ch. Blanc, École flamande; Cat. du Mus. d'Anvers, 382; Dohme, 1i.; Immerzeel, iii. 130; Journal des B. Arts (1864), 171; Kramm, vi. 1609; vii. 145; Kugler (Crowe), ii. 321; Messager des sciences hist. (1854), 381; (1868), 263; (1878), 331; Michiels, vii. 441; viii. 3; Rooses (Reber), 385; Van den Branden, 981; Vermoelen, Teniers le jeune, etc. (Antwerp, 1865); Vlaamsche school (1864), 173; Zeitschr. f. b. K., v. 258.

TENIERS, MARRIAGE OF, David Teniers, Alfred de Rothschild Collection, London; canvas, H. 2 ft. 3 in. × 2 ft. 10 in.; dated 1651. A pleasure garden, adorned with trees, bowers, and a fountain, through which Teniers and his bride are being conducted to their château by a procession of about twenty persons, attended by youths bearing refreshments; at left, a man playing a guitar. Collection of Paignon Dijonval, 1821; sold to T. Emmerson; then in collection of John Lucy, Esq., Charlcote.—Art Journal (1885), 242; Smith, iii. 382.

TEN KATE, HERMANN. See Kate.

TEOCALLI, STORMING OF THE, Emanuel Leutze, Amos Binney, Boston, Mass. The attack by Cortés on the great teocalli or temple of Huitzilopotchli, in the city of Mexico, as narrated by Prescott in his "Conquest of Mexico" (v. cap. 2). It represents the Spaniards forcing their way up the great stone steps of the pyramid in spite of the heroic valour of the Aztecs. Loaned to Museum of Fine Arts, Boston, in 1883.

TEPIDARIUM, IN THE, Laurenz Alma-Tadema. A girl, nude, reclining on a marble bench covered with a wild beast's skin and with cushions, in the tepidarium (warming room) of a Roman bath, resting before proceeding to the calidarium, or hot bath; in one hand she holds a feather fan, in the other a strigillus for scraping the skin; at her feet is a pot of flowers. Painted in 1881.

TERBRUGGHEN (Terbrüggen), HENDRIK, born at Deventer in 1588, died at Utrecht, Nov. 1, 1629. History and genre painter, pupil of Abraham Bloemaert, then studied in Italy, where Rubens knew him; in 1614 he was in Milan and returned in the same year to Utrecht, where he became master of the guild in 1616. Works: Four Evangelists (1621), Town Hall, Deventer; Two Flute Players (1621), Cassel Gallery; Man at Breakfast (1627), Augsburg Gallery; Esther and Vashti (1628), Cologne Museum; Christ Crowned with Thorns, Gallery, Copenhagen; Angel appearing to St. Peter in Prison, Moltke Collection, ib.; do. (1629), Schwerin Gallery.—Immerzeel, iii. 132; Kramm, vi. 1613; Schlie, 624.

TERBURG (Ter Borch), GERARD, born at Zwolle, probably between 1613 and 1617, died at Deventer, Dec. 8, 1681. Dutch school; genre painter; received his first instruction from his father, Geert Terburg (1584-1662, who had studied in Rome), then formed himself in Amsterdam and especially in Haarlem, where he entered the guild in 1635, under the influence of Frans Hals, and through independent study of the masterworks by Titian, Rembrandt, and Velasquez; travelled through Germany, Italy, Spain, England, and France, and painted everywhere portraits and genre pieces. In 1646-48, at Münster, he became, through the favour of the Spanish envoy, the painter of the diplomatic circle and executed the famous portrait group of the Peace Congress; followed the Spanish envoy to Madrid, where he