Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/276
TELEPHANES, painter, of Sicyon, early period. Mentioned by Pliny (xxxv. 5 [16]) in connection with Ardices of Corinth as first to use shading lines within outline drawings.—Sillig, 436; Brunn, ii. 4.
TÉMÉRAIRE, FIGHTING, Joseph M.
W. Turner, National Gallery, London; canvas,
H. 2 ft. 11 in. × 3 ft. 11 in. The Téméraire,
a three-decker, mounting 98 guns, captured
from the French in 1759, had acquired
the title of "Fighting" before she took so
conspicuous a part at Trafalgar. She was
put out of commission soon after the peace
of 1815, and, being condemned as unserviceable,
was sold in 1838 and towed to Rotherhithe
to be broken up. The picture represents
her in tow of a tug, the sun setting in
a blaze of glory behind. One of the finest of
Turner's later works. Royal Academy, 1839.
Engraved by J. T. Willmore.—Art Journal
(1864), 108; Hamerton, Life; Cat. Nat. Gal.
TEMPEL, ABRAHAM VAN DEN, born
at Leeuwarden in 1622 or 1623, died in
Amsterdam, May 13, 1672. Dutch school.
Real name Abraham Lambert Jacobse. Portrait
painter, pupil of his father, Lamberts
Jacobse, and in Leyden of Joris van Schooten,
but followed more the later manner of
Van der Helst. A light and pleasing colouring
and broad treatment characterize his
pictures. Works: Three Portraits, Amsterdam
Museum; Portraits of Man and Wife
(1660), Hague Museum; Regents of the
Orphan Asylum (1669), Three Allegories,
Leyden Museum; Portraits of an Admiral
and his Wife (1671), Rotterdam Museum;
Portrait of Hendrik van Westerhout, Man
and Wife in their Park, Berlin Museum;
Female Portrait, Cassel Gallery; Dutch
Patrician Family (1672), Hamburg Gallery.—Immerzeel,
iii. 130; Kramm, vi. 1607;
Kugler (Crowe), ii. 362; Havard, A. & A.
holl., ii. 85, 180; Burger, Musées, ii. 124;
Jahrb. d. preuss. Kunstsammlg., iv.
TEMPERELLO, IL. See Caselli, Cristoforo.
TEMPESTA (Tempesti), ANTONIO,
born in Florence in 1555, died in Rome,
Aug. 5, 1630. Roman school; pupil of
John Stradanus, and of Santo de Titi; afterwards
worked in company with Cigoli.
About 1575 went to Rome and painted in
the Vatican, the Palazzo Giustiniani, and
other public buildings. Painted chiefly
battles, cavalcades, hunting scenes, and
other figure pieces; and left more than
1,500 etchings.—Ch. Blanc, École ombrienne;
Burckhardt, 185, 757; Siret, 905.
TEMPESTA, CAVALIERE. See Molyn, Pieter.
TEMPLE OF JUPITER PANHELLENIUS,
Joseph M. W. Turner, Mr. Goupil (?);
canvas, H. 4 ft. 9 in. × 7 ft. 9 in. The Temple
of Jupiter at Ægina restored on the
general plan of the Athenian Acropolis,
which is seen in the distance, at left; in
foreground, peasants dancing the Romaika.
Royal Academy, 1816. Bought by Moon,
Boys & Graves, who sold it to Wynn Ellis;
at his sale (1876), £2,100. Engraved (1828)
by John Pye; J. B. Allen, in Turner Gallery.
TEMPTATION AND FALL, 'Michelangelo',
Sistine Chapel, Rome; fresco on ceiling.
TENIERS, DAVID, the elder, born in
Antwerp in
1582, died
there, July
29, 1649.
Flemish
school;
history,
genre, and
landscape
painter,
pupil of his
elder brother Juliaen (1572-1615), of Rubens,
and in Rome of Adam Elsheimer;
master of Antwerp guild in 1606; painted
chiefly peasant scenes, combined with land-