Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/256
was also a pupil of Emanuel de Witte. By him is a Breakfast Table, in the Schwerin Gallery, and a Gothic Church Interior (?), in the Hermitage, St. Petersburg.—Schlie, 605.
STREITT, FRANZ, born at Brody, Galicia,
in 1839. Genre painter, pupil of Cracow
Art School and Vienna Academy under Engerth;
settled in Munich in 1871. Medal,
London, 1884. Works: Abduction of Princess
Halszka; Katharina Jagiellonika in
Prison; Counted Moments; Favourite of
the Family; Forbidden Fruit; Incredulous
Listener; Signal of Distress, Gypsy Boy
playing Violin (1884).—Allgem. Kunst-Chronik,
viii. 530, 876, 1035; ix. 130.
STRETES (Streetes), GUILLIM, British
painter of 16th century, probably born in
Holland. Painter in 1551 to Edward VI.,
who, Strype records, paid him 50 marks
for two portraits of himself, one now at
Windsor, the other at Petworth, and a
third of Henry Howard, Earl of Surrey, beheaded
in 1546-47. The last named, now
at Knole, a full-length, life-size picture, is
more Italian than Dutch in style, and much
resembles the work of Girolamo da Treviso.—Wilmot-Buxton,
16.
STRIGEL, BERNHARD, born at Memmingen
in 1460 or 1461, died there before
June 23, 1528. German school; history and
portrait painter, mentioned in documents
as living in Memmingen between 1516 and
1528, in Augsburg about 1517, in Vienna
about 1520, 1522, and 1525; identical with
Master of the Collection Hirscher. In his
altarpieces he appears influenced by Zeitblom,
although his figures are less elevated
in form and bearing; he was an excellent
colourist. Works: Four Pictures
with Saints, Elizabeth of Thuringia and Emperor
Henry II., Four Altar Wings (1515)
with Nativity, Visitation, etc., Christ parting
with Mary, Christ before the Crucifixion, Johannes
Cuspinian and Family (1520), Berlin
Museum; Pietà, Mocking of Christ, Annunciation,
Washing of Feet, Carlsruhe Gallery;
Portrait of Imperial Family, Museum, Vienna
(attributed to Grünewald); Married Couple,
Liechtenstein Gallery, ib.; Altar Panels,
National Museum, Munich; do. (4), David
with the Head of Goliath, Portraits of a Patrician
and his Children (1517), Emperor
Maximilian I., Male Portrait, Old Pinakothek,
ib.; Altar Panels (6), Madonna, Two
Portraits, Germanic Museum, Nuremberg;
Portrait of Margaret of Austria, Schwerin
Gallery; Four Altar Wings, Archæological
Union, Stuttgart.—Allgem. Zeitg. (1881),
1771, 1775; Kunst-Chronik, xvi. 329;
Schnaase, viii. 457; W. & W., ii. 454; Jahrbuch
der preuss. Kunstsammlungen, ii. 54,
59; Zeitschr. f. b. K., xxii. 38.
STROBERLE, JOÃO GLAMMA, born at
Lisbon in 1708, died at Oporto in 1792.
Portuguese school; history painter, pupil
St. Luke's Academy in Rome under Maria
Benefial. After an absence of almost twenty
years, returned to Lisbon, where he decorated
Royal Theatre. Settled in Oporto, but
visited London and Lisbon. Works: Last
Supper, St. Nicolão Church, Lisbon; Altarpieces,
S. João Nova and Senhara da Victoria,
ib.; Earthquake of Lisbon.
STROMEYER, HELENE (MARIE), born
at Hanover, Aug. 26, 1834. Flower painter,
pupil of Düsseldorf Academy, and in Carlsruhe
of Gude; was much influenced by
Lessing and Vasberg. Lives at Carlsruhe.
Works: Morning Greeting; Forgotten;
Gretchen's Roses; Flower Baskets in a Boat
(1884); Garland and Willow Tree (1884).—Müller,
510; Kunst-Chronik, xx. 125, 349.
STROOBANT, FRANZ, born in Brussels
in 1819. Architecture painter. Illustrated
works on Belgian art and architecture.
Gold medal in Brussels, 1854; Leopold Order
in 1863. Works: San Giorgio in Venice;
Brussels Houses of the Guilds, Brussels
Museum; Entrance to Old City in Prague;
Palace Interior in Cracow; Entrance to
Heidelberg Castle.—Meyer, Conv. Lex., xvii.
860.
STROZZI, BERNARDO, born in Genoa
in 1581, died in Venice, Aug. 3, 1644. Genoese
school; called also Il Cappuccino and