Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/252
years, excepting 1845-46, passed in Italy, and returned home in 1852. Professor at Copenhagen Academy. Works: Oscar's Death (1828); Cupid and Psyche in Boat; Venus after Bath (1844); Psyche's Abduction; Elfin Dance; Sakuntala; King Hejmer and Aslang; Scenes from Scandinavian and Italian Life; portraits; altarpieces.—Müller, 508; Weilbach, 663; Kunst-Chronik, xviii. 728.
STORELLI, FÉLIX MARIE FERDINAND,
born in Turin, Italy, in 1778, died
in Paris, June 19, 1854. Landscape and
history painter, chiefly in water-colours;
pupil of Palmerius. He lived in France
after 1800; was painter and professor of
design to the Duchesse de Berry. Medal,
1st class, 1824; L. of Honour, 1825. Painted
chiefly views in France and Italy, but
occasionally a figure-piece. Works: Battle
of Abendsberg in 1809, Combat of Znaim
in 1809, Portrait of Marshal Schomberg,
Versailles Museum; Waterfall in Landscape,
Palais de Trianon.—Bellier, ii. 527.
STORELLI, FERDINAND (MICHEL),
born in Paris; contemporary. Landscape
and genre painter, chiefly in water-colours;
son and pupil of Félix Marie Ferdinand
Storelli. Medal, 3d class, 1839; 2d class,
1840. Works: View of Château de Pierrefonds
(1870), Comte de Pont; Environs of
Romilly-sur-Seine (1875); La fontaine La-*gaurre
(1877); The Two Brothers (1878).
His son and pupil, André (born in Paris),
who paints similar subjects, studied also
under Questel and Justin Ouvrié.—Bellier,
ii. 527.
STOREY, GEORGE ADOLPHUS, born
in London, Jan. 7, 1834. Genre painter;
studied in Paris and in London, where he
was a pupil of J. M. Leigh, and of the Royal
Academy schools in 1853; exhibited in
Royal Academy, Family Group (1852), Madonna
(1853), and Holy Family (1854); visited
Spain in 1863; elected an A.R.A. in
1876. Works: Meeting of William Seymour
and Arabella Stuart (1864); Royal
Challenge (1865); Breakfast (1866); After
You! (1867); Saying Grace, Shy Pupil
(1868); Going to School, Sister, Old Soldier,
Children Fishing
(1869); Duet, Only
a Rabbit (1870); Rosy
Cheeks (1871); Little
Buttercups, Course
of True Love (1872);
Mistress Dorothy,
Love in a Maze
(1873); Grandma's
Christmas Visitors
(1874); Caught, The
Whiphand (1875); My Lady Belle, Dancing
Lesson (1876); Old Pump Room at
Bath, Judgment of Paris, Christmas Eve
(1877); Sweet Margery (1878); Orphans,
Lilies, Oleanders and Pinks (1879); Late for
Church, Follow my Leader, Daphne (1880);
Coral Necklace (1881); Coracles on the Dee,
Out for a Walk (1882); Sunflower, Connoisseur
(1883); Shy Lover, Peace Maker, Art
and Nature (1884); Zeuxis and the Maidens
of Crotona (1885); On Guard, Violin
Player (1886).—Art Journal (1875), 173;
Portfolio (1871), 19.
STORK (Storck), ABRAHAM, the elder,
born in Amsterdam before 1650, died about
1710. Dutch school; marine painter, pupil
of Backhuysen; pictures truthful and
spirited, but inferior to his master's in composition
and elegance of touch. Works:
View of the Dam at Amsterdam (1675),
Italian Harbour, Marines (2), Amsterdam
Museum; Calm Sea, Ghent Museum; do.,
and The Beach (1683), Hague Museum;
Italian Port, Dutch Seaport in Winter, Rotterdam
Museum; A Lock (1667), Gisignies
Collection, Brussels; Sea-Battle, Berlin Museum;
Amsterdam Harbour (1689), Dresden
Gallery; Stormy Sea (1686), Copenhagen
Gallery; others in Aschaffenburg,
Darmstadt, Gotha (3), Königsberg (2),
Oldenburg, Schleissheim
(2, one dated
1688), Schwerin.—Immerzeel,
iii. 116; Kugler (Crowe), ii. 505;
Burger, Musées, ii. 309; De Stuers, 149.