Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/252

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years, excepting 1845-46, passed in Italy, and returned home in 1852. Professor at Copenhagen Academy. Works: Oscar's Death (1828); Cupid and Psyche in Boat; Venus after Bath (1844); Psyche's Abduction; Elfin Dance; Sakuntala; King Hejmer and Aslang; Scenes from Scandinavian and Italian Life; portraits; altarpieces.—Müller, 508; Weilbach, 663; Kunst-Chronik, xviii. 728.


STORELLI, FÉLIX MARIE FERDINAND, born in Turin, Italy, in 1778, died in Paris, June 19, 1854. Landscape and history painter, chiefly in water-colours; pupil of Palmerius. He lived in France after 1800; was painter and professor of design to the Duchesse de Berry. Medal, 1st class, 1824; L. of Honour, 1825. Painted chiefly views in France and Italy, but occasionally a figure-piece. Works: Battle of Abendsberg in 1809, Combat of Znaim in 1809, Portrait of Marshal Schomberg, Versailles Museum; Waterfall in Landscape, Palais de Trianon.—Bellier, ii. 527.


STORELLI, FERDINAND (MICHEL), born in Paris; contemporary. Landscape and genre painter, chiefly in water-colours; son and pupil of Félix Marie Ferdinand Storelli. Medal, 3d class, 1839; 2d class, 1840. Works: View of Château de Pierrefonds (1870), Comte de Pont; Environs of Romilly-sur-Seine (1875); La fontaine La-*gaurre (1877); The Two Brothers (1878). His son and pupil, André (born in Paris), who paints similar subjects, studied also under Questel and Justin Ouvrié.—Bellier, ii. 527.



STOREY, GEORGE ADOLPHUS, born in London, Jan. 7, 1834. Genre painter; studied in Paris and in London, where he was a pupil of J. M. Leigh, and of the Royal Academy schools in 1853; exhibited in Royal Academy, Family Group (1852), Madonna (1853), and Holy Family (1854); visited Spain in 1863; elected an A.R.A. in 1876. Works: Meeting of William Seymour and Arabella Stuart (1864); Royal Challenge (1865); Breakfast (1866); After You! (1867); Saying Grace, Shy Pupil (1868); Going to School, Sister, Old Soldier, Children Fishing (1869); Duet, Only a Rabbit (1870); Rosy Cheeks (1871); Little Buttercups, Course of True Love (1872); Mistress Dorothy, Love in a Maze (1873); Grandma's Christmas Visitors (1874); Caught, The Whiphand (1875); My Lady Belle, Dancing Lesson (1876); Old Pump Room at Bath, Judgment of Paris, Christmas Eve (1877); Sweet Margery (1878); Orphans, Lilies, Oleanders and Pinks (1879); Late for Church, Follow my Leader, Daphne (1880); Coral Necklace (1881); Coracles on the Dee, Out for a Walk (1882); Sunflower, Connoisseur (1883); Shy Lover, Peace Maker, Art and Nature (1884); Zeuxis and the Maidens of Crotona (1885); On Guard, Violin Player (1886).—Art Journal (1875), 173; Portfolio (1871), 19.



STORK (Storck), ABRAHAM, the elder, born in Amsterdam before 1650, died about 1710. Dutch school; marine painter, pupil of Backhuysen; pictures truthful and spirited, but inferior to his master's in composition and elegance of touch. Works: View of the Dam at Amsterdam (1675), Italian Harbour, Marines (2), Amsterdam Museum; Calm Sea, Ghent Museum; do., and The Beach (1683), Hague Museum; Italian Port, Dutch Seaport in Winter, Rotterdam Museum; A Lock (1667), Gisignies Collection, Brussels; Sea-Battle, Berlin Museum; Amsterdam Harbour (1689), Dresden Gallery; Stormy Sea (1686), Copenhagen Gallery; others in Aschaffenburg, Darmstadt, Gotha (3), Königsberg (2), Oldenburg, Schleissheim (2, one dated 1688), Schwerin.—Immerzeel, iii. 116; Kugler (Crowe), ii. 505; Burger, Musées, ii. 309; De Stuers, 149.