Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/236
London by Charles I. about 1622, and worked there until 1642. His landscapes are enriched with buildings, biblical and mythological figures, and animals. Works: Wood Landscape, Antwerp Museum; do., Amsterdam Museum; Landscape, Kirmess, Cassel Gallery; Kirmess, Städel Gallery, Frankfort; do., Vienna Museum; Banquet of the Gods (1622), Judgment of Midas, Dresden Gallery; Adoration of the Shepherds (1622), Stag Hunt by a Lake, Berlin Museum; Wood Landscape, Schwerin Gallery; Triumph of David over Goliath (with P. Brueghel, 1619), Madrid Museum.—Kramm, v. 1556; Michiels, ix. 118; Rooses (Reber), 411; Van den Branden, 625.
STALLAERT, JOSEPH, born at Merchtem, Brabant, in 1825. History painter, pupil of Brussels Academy under Navez; took the prize for Rome in 1848; then spent four years in Italy, France, and Germany. His pictures are in tasteful antique style. Medals at Brussels (1860), Vienna (1873), Philadelphia (1876); Order of Leopold (1863); Officer (1881); Order of Francis Joseph of Austria. Principal professor of design and of painting in Royal Academy, Brussels. Works: Penelope (1859); Hero and Leander (1861); Death of Dido, Brussels Museum; Cellar of Diomedes in Pompeii (1862); Ulysses (1863); Medea; Polyxena sacrificed to the Manes of Achilles, Ghent Museum; Cellar of Diomedes (1879). In fresco: Ceilings, Palace of Count of Flanders; Four Celestial Regions, Elements and Gods, in Brussels National Bank.—Müller, 501; D. Rundschau, xx. 471.
STAMMEL, EBERHARD, born at Düren
in 1832. Genre painter, pupil of Düsseldorf
Academy under Sohn, then studied in
Antwerp, Paris, and Munich, and settled at
Düsseldorf in 1859. Works: Morning after
Bout; Bookworm, Royal Collection, Berlin;
Cavalier and Usurer, Villa Borsig, ib.;
Gentlemen's Room, Barmen Art Union;
Village Artist; Everything Lost; Peasants
at the Museum; Art Amateur; Afternoon
Pipe.—Dioskuren, 1865-66.
STANDAART. See Bloemen, Pieter van.
STANFIELD, GEORGE CLARKSON,
born in London, May 1, 1828, died at Hampstead,
March 22, 1878. Landscape and
marine painter, son and pupil of William
Clarkson Stanfield, and student of the Royal
Academy, to the exhibitions of which he
was a contributor from 1844 to 1876. He
painted principally Continental landscapes
and views of towns. Works: Church of
St. Michael—Ghent (1860); Saarburg Castle
(1861); On the Lahn (1863); Amphitheatre
at Verona (1864); Angers (1868); Dunbar
Castle (1872); Entrance to Harbour of La
Rochelle (1875); On the Nile (1876).
STANFIELD, WILLIAM CLARKSON,
born at Sunderland,
Durham, in 1793,
died at Hampstead,
May 18, 1867. Began
life as a sailor in
the royal navy; became
a scene painter
when still young, and
soon turned his attention
to landscape
and marine painting, in which he won success;
exhibited first at Royal Academy in
1829; became an A.R.A. in 1832 and R.A.
in 1835. After his first visit to Italy in
1813, painted many Italian views. He excelled
in mountain and river scenery, and
in naval battle scenes and seaport views.
Works: Market Boats on the Scheldt (1826);
Wreckers off Fort Rouge (1827); Mount St.
Michael (1830); Fishermen of Honfleur,
View of Venice (1831); Opening of New
London Bridge, Portsmouth Harbour (1832);
Battle of Trafalgar (1836); View near St. Malo,
Amalfi, Avignon, Ancona (1840); Castle of
Ischia, Pozzuoli (1841); Isola Bella, Kitchen
of Inn—Amalfi (1842); Mazerbo and Lucello,
Ducal Palace—Venice, Ischia (1843);
Oude Scheldt, Day after the Wreck (1844);
Trajan's Arch—Ancona, Capture of Spanish
Frigate El Gamo (1845); Ponte Rotto—*