Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/171
SCHÜHLEIN (Schüchlin), HANS, flourished in Ulm about 1468-1502. German school; history painter, probably a scholar of R. van der Weyden, and a master of high repute in Ulm, where he appears as senior master of a guild of painters, sculptors, etc., in 1473; he executed an altarpiece, with his pupil Zeitblom, now in a private collection in Hungary. Works: Altarpiece with Nativity, Adoration, etc. (1469), Church at Tiefenbronn, Würtemberg; Ysidor and Susanna, St. Servatius (2), David with Head of Goliath, Zacharias and Elizabeth, Munich Gallery; Anna and Cleopas, Schleissheim Gallery; six Altar-Wings, Maurice Chapel, Nuremberg; others in Augsburg Gallery and Stuttgart Museum.—Ch. Blanc, École allemande; Dohme, 1i.; Heideloff, K. des Mittelalt. in Schwaben, 117; Kugler (Crowe), i. 145; Schnaase, viii. 421; W. & W., ii. 110.
SCHULTEN, ARNOLD, born at Düsseldorf
in 1809, died there, July 30, 1874.
Landscape painter, pupil of Düsseldorf
Academy in 1822-49, and with Scheuren,
Lasinsky, Pose, Funk, and others, formed
the school of landscape painters, which, under
the guidance of Johann Wilhelm Schirmer,
contributed essentially to the renown
of the Rhenish Academy. Works: Landscape
with Hunting Lodge (1831), Abbey
of Altenburg (1831), Kloster Arnstein
(1833), Entrance into Plain, Woodland
(1834), do. with Cattle (1837), Return from
the Chase (1840), Stag Hunt (1841), Kochel
Lake (1842), Tegernsee (1843), Laacher
Lake (1844), Brook among Rocks (1847),
Pyrmont on the Elz (1848), View near Wallenstadt
Lake (1852), Rhenish-Westphalian
Art Union; Isola Bella in the Lago Maggiore,
Villa Rosenstein near Stuttgart.—Blanckarts,
72; Wiegmann, 352.
SCHULTZ, FRIEDRICH, born in Germany;
contemporary. Battle and genre
painter, lives in Berlin; skilful in composition,
but weak in colouring. Works: Ziethen
Hussars foraging (1854); Frederick
the Great in Battle of Torgau; do. in Battle
of Hohenfriedberg; Peter the Great
after the Battle of Poltava (1859); Bivouac
in 17th Century; Prince Henry and the
Bridal Pair (1862); Cupid and Psyche
(1863); Crossing to Alsen; The first Bombshell
at Königgrätz; King William decorating
the Crown Prince with the Order pour
le mérite on the Battlefield of Königgrätz.—Dioskuren
(1860), 33, 255, 332, 341;
Rosenberg, Berl. Malersch., 294.
SCHULTZ, HERMANN THEODOR, born
at Wittstock, Prussia, in 1816. History and
genre painter, pupil in Berlin of Wach and
of Blechen; painted frescos in the Old Museum
at Berlin after the sketches of Schinkel,
and four scenes from the Myths of Hercules
and Theseus of his own composition;
also in the Royal Chapel two Prophets, and
twelve Kings and Priests of the Old Testament.
Among his genre pictures an Italian
Woman with a Blind Boy before the Madonna
is noteworthy.—Rosenberg, Berl.
Malersch., 40.
SCHULTZ, JOHANN KARL, born in
Dantzic, May 5, 1801, died there, June 12,
1873. Architecture and landscape painter,
pupil of Dantzic Art School under Breysig,
and of Berlin Academy under Hummel;
went in 1823 to Munich, attracted there by
Domenico Quaglio, and in 1824 to Italy,
whence he returned to Berlin in 1828; was
made director of Dantzic Art School in
1831, member of Berlin Academy in 1836;
visited Rome again in 1839; founded in
1855 the Art Union and in 1856 the Archæological
Union in Dantzic. Great gold
medal for art. Honorary member of St.
Petersburg Academy. Works: View in
Milan Cathedral (1827), Steeple of do.
(1829), National Gallery, Berlin; Choir in
Königsberg Cathedral (1835), Royal Palace,
ib.; replica (1837), Königsberg Museum;
Castle Hohenzollern (6); Interior of Ulm
Cathedral; do. of Strasburg Cathedral;
View of Siena; Piazza del Gran Duca; Orvieto
Cathedral; Triumphal Arch of Trajan
at Ancona; Street of Tombs in Pompeii;
Königsberg Cathedral; Artus Hof in Dantzic.—Andresen,
ii. 141; Jordan (1885), ii.