Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/169
on the Lake, View near Hallstadt (1851); Animals Resting (1855); Hungarian Puszta (1862), Count Edmund Zichy; In the Stable (1870); Sheep and Rooster, Dead Stag, Dog Resting, Pheasants and Partridges, Stable Interior at Leopoldsdorf (1872).—Müller, 478; Wurzbach, xxxi. 344.
SCHRÖDL, NORBERT, born in Vienna
in 1842. Genre and portrait painter, pupil
of Jacob Becker; paints with ingenious
treatment ideal figures and portraits; has
also attempted historical subjects, landscapes
and animal pieces. Works: Symbolical
Figures of Night and Day; Rape of the Sabine
Women; Four Illustrations of "Who
does not love Wine, Woman, and Song?"
(1879).—Rosenberg, Berl. Malersch., 320.
SCHRÖDTER, ADOLF, born at Schwedt,
in the Uckermark,
June 28, 1805, died
in Carlsruhe, Dec. 9,
1875. Genre painter,
pupil of his father and
of Berlin Academy,
and in 1829 of W.
Schadow in Düsseldorf.
Went to Frankfort-on-the-Main
in
1848, returned to
Düsseldorf in 1854; called to Carlsruhe as
professor in 1859, retired in 1872. One of
the happiest representatives of humour in
German art. Works: Wine Testing (1822),
Rhenish Tavern (1833), Don Quixote (1834),
Scene from Shakespeare's Henry V. (1839),
Forest Smithy (1841), National Gallery,
Berlin; Till Eulenspiegel as Baker, Ravené
Gallery., ib.; The Seasons, Primeval Forest
in Brazil, Carlsruhe Gallery; Baron Münchausen
relating his Hunting Adventures
(1842), Kunsthalle, Hamburg; Scene from
Till Eulenspiegel (1844), Königsberg Museum;
Don Quixote and his Dulcinea
(1858), Düsseldorf Gallery;
Falstaff in Tavern (1859), besides
other pictures of the same character;
subjects from Münchausen and Till
Eulenspiegel; Two Monks in Convent Cellar
(1863); Hans Sachs (1866); and numerous
illustrations for books.—Kunst-Chronik,
xi. 289; Jordan (1885), ii. 210; Blanckarts,
93; Nagler, xvi. 24; Reber, ii. 239; Land
und Meer (1875), ii. 935.
SCHRÖTER, KONSTANTIN, born at Schkeuditz, Prussian Saxony, March 21, 1795, died in Berlin, Oct. 18, 1835. Genre painter, pupil of Leipsic and Dresden Academies, and of Pochmann. Returned to Leipsic in 1819; lived by portrait painting until he took to genre, on advice of the elder Schnorr, and settled in Berlin in 1826. Works: Violin Lesson (1828), National Gallery, Berlin; Mother and Daughter Spinning; Auction of a Painter's Effects (1832); Jewish Family Resting (1834); Village School. (1835).—Jordan (1885), ii. 211; Nagler, xvi. 30.
SCHROTZBERG, FRANZ, born in Vienna
in 1811. Portrait painter, pupil of Vienna
Academy; influenced by Karl Markó.
Visited Italy in 1837, Germany and Belgium
in 1842, and later Italy again, Paris, and
London. Very fashionable painter for many
years; has been called the Austrian Winterhalter.
Member of Vienna Academy; Franz
Joseph Order. Works: Leda and Swan
(1839), Vienna Museum; Empress Elizabeth
of Austria, Duchess Therese von Würtemberg,
Archduchess Mathilde of Austria
(1867), New Pinakothek, Munich; and numerous
other portraits.—Wurzbach, xxxii.
18; Müller, 478.
SCHTSCHEDRIN, SILVESTER FEDOROVICH,
born in St. Petersburg in 1791,
died at Sorrento in 1830. Landscape painter,
pupil of St. Petersburg Academy under
Ivanoff and Worobieff. Visited also Germany
and Italy. Works: Colosseum, Lake
Nemi, Hermitage, St. Petersburg.
SCHUBACK, GOTTLIEB EMIL, born in
Hamburg, June 28, 1820. Genre painter,
pupil in Munich of Cornelius and Heinrich
Hess in 1836-42. Studied in Rome in 1847-48;
settled in 1855 in Düsseldorf, where
he was influenced by Jordan. Works: Portrait
of the painter Günther Gensler (1854),