Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/160

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ily (1817), Visit of Ananias (1865), Conversion

of Saul (1867), Dresden Gallery; Ruth and Boaz, Hamburg Art Union; Christ and the Children, Naumburg Cathedral; Marriage at Cana (1819), formerly Lord Cathcart, Scotland; Madonna (1820), Cologne Museum; Vigne near Olevano (1821); Poet of the Nibelungen Lied, Raczynski Gallery, Berlin; Domine quo vadis? Basle Museum; Marriage of Siegfried and Chrimhilde, Siegfried's Farewell, Eight Scenes from Ariosto's Roland, Carlsruhe Gallery; Scene from Nibelungen Lied (1830), New Pinakothek, Munich; Luther in Worms, Maximilianeum, ib.; Death of Barbarossa (1832); Good Samaritan (1833), Städel Gallery, Frankfort. In fresco: Cycle from Ariosto's Roland (1822-27), Villa Massimi, Rome; Cartoons for do., Carlsruhe Museum; Sketches for do., Leipsic Museum. Encaustic: Cycle from Nibelungen Lied (1830-50), do. from Lives of Charlemagne, Frederic Barbarossa, and Rudolf von Hapsburg (1835-42), Königsbau, Munich; two Cartoons for Nibelungen Cycle (1863), National Gallery, Berlin.—Art Journal (1865), 72; (1872), 204; Förster, iv. 223; v. 91, 428; Graph. K., i. 59; Illustr. Zeit. (1872), i. 469; Jordan (1885), ii. 204; Kugler, Kl. Schr., iii.; Kunst-Chronik, vii. 332; ix. 745; xiii. 249; Land und Meer (1872), No. 40; Nagler, xv. 404; Riegel, D. Kunststud., 210; Springer, Gesch., 80; Zeitschr. f. b. K., ii. 1, 285.

SCHNORR VON KAROLSFELD, LUDWIG FERDINAND, born in Leipsic, Nov. 11 (Oct. 11?), 1789, died in Vienna, April 30 (13?), 1853. History painter, brother of preceding, pupil of his father and of Vienna Academy, but studied chiefly Raphael and Michelangelo; visited in 1834 Munich, Tyrol, Switzerland, and Paris, and in 1837 Dresden, Weimar, and North Germany; became member of Vienna Academy in 1835 and custodian of the Belvedere Gallery in 1841. Works: Knight watching through a Window a Lady writing (1808), Gotha Museum; Mephistopheles appearing to Faust (1818), Madonna (1828), Gretchen in Prison (1834), Vienna Museum; Golo and Geneviève (1820); Huntsman-Lover Listening (1820), Gotha Gallery; The Erl-King, Loreley (1821); Coalition of Austrians and Tyrolese under Chasteler (1822); The Tyrolese under Andreas Hofer (1830), Ferdinandeum, Innsbruck; Christ before Caiaphas (1831); Maid of Orleans (1834); Liberation of Peter (1836); Finding of the Cross; Christ Feeding the Four Thousand (1839); Tristan and Isolde; Old Man in Mediæval Costume, Dresden Museum.—Andresen, v. 311; Nagler, xv. 415; Wurzbach, xxxi. 55.

SCHOBELT, PAUL, born at Magdeburg, March 9, 1838. German school; history and genre painter, pupil of Düsseldorf, Berlin, and Brussels Academies, then in Paris of Gleyre and in Berlin of Schrader; went in 1863 to Rome, where he has since resided. Works: Grave-Digger Scene in Hamlet (1860); Creation of Eve; Neapolitan Marriage Suit; Flora with Genii of Spring; Venus and Bellona (1879), National Gallery, Berlin; Rape of Proserpine (1882).—Jordan (1885), ii. 207; Müller, 474; Kunst-Chronik, xviii. 88.

SCHÖDL, MAX, born in Vienna in 1834. Genre and still-life painter, pupil of Vienna Academy under Friedländer; visited Paris, London, and Italy. Medal, Vienna, 1873. Works: At the Hotel, Tea (1869); Antiquities, Dessert (1870); do., and Before Masked Ball; Fish, Lobster (1871).—Wurzbach, xxi. 75.

SCHÖDLBERGER, JOHANN NEPOMUK, born in Vienna in 1779, died there, Jan. 26, 1853. Landscape painter, self-taught, with Claude Lorrain and Poussin for his models; member of Vienna Academy in 1813; visited Italy in 1817. Works: Capuchins burying Friar, Interior of Italian Church (1830), View in Moravia (1829), View of Traun Falls (1830), Vienna Museum; Landscape, Grätz Gallery.—Nagler, xv. 420; Wurzbach, xxxi. 70.