Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/154
Lonely Pond in Oak Wood (1832); Convent of St. Scholastica, six Biblical Landscapes with Life of Abraham, National Gallery, Berlin; Autumn Landscape (1834), Aremberg Gallery, Brussels; Mountain Road (1839), Darmstadt Gallery; Grotto of Egeria (1841), Park in Evening Light (1847), Nether German Landscape (1864), Leipsic Museum; Italian Landscape (1842), Inundation, Series of 26 Biblical Landscapes, Düsseldorf Gallery; Swiss Landscape (1844). Christiania Museum; Storm (1848), Prague Gallery; Moonlight with Rape of Hylas, Italian Landscape, Provinzial Museum, Hanover; Calm Evening after Stormy Day (1849), Königsberg Museum; Path on Forest Border (1850), Hamburg Gallery; Inundation in the Woods (1853), Brunswick Gallery; Via Mala (1853), four Landscapes with Story of Good Samaritan (1856-57), Storm in the Campagna (1858), Carlsruhe Gallery; replica of Samaritan Cycle, Cassel Art Union; Biblical Landscape, Stuttgart Museum; North German Landscape, St. Gall Museum.—Andresen, ii. 303; Förster, v. 406; Jordan (1885), ii. 199; Wolfg. Müller, Düsseldf. K., 323; Riegel, D. Kunststud., 365; D. Rundschau, xi. 381; xii. 34, 233; Springer, Gesch., 171; Zeitschr. f. b. K., i. 158.
SCHISCHKIN, JOHANN, born at Jelabuga, Government of Viatka, Jan. 13, 1827. Landscape painter, pupil of Moscow Art School and St. Petersburg Academy, where he won the first prize in 1863, and of which he became a member in 1866. Professor in 1873; Order of Stanislaus. Works: Dilapidated Bridge (1868); Pine Forest (1871); Interior of Primeval Forest (1873), St. Petersburg Academy; First Snow, Dawn in Spring (1874).
SCHLEICH, EDUARD, born at Harbach,
Bavaria, Oct. 12, 1812, died in Munich, Jan.
8, 1874. Landscape painter, self-taught by
study of nature in Bavarian Alps, Tyrol, and
North Italy, and after the old masters in the
Munich and Schleissheim Galleries. Having
been dismissed
from the Munich
Academy as "without
talent," he took for
his models Etzdorf,
Morgenstern, and
Rottmann, and became,
after the latter,
the most distinguished
landscape
painter of the Munich school, upon which
he exerted signal influence; visited France,
Belgium, Hungary, and Italy. Professor in
1868; honorary member of Munich and several
other Academies. Gold medal, Berlin;
Order of Michael. Works: Evening Landscape,
National Gallery, Berlin; Alp in
Tyrol, Carlsruhe Gallery; Starnberg Lake,
Darmstadt Museum; Cattle Herd crossing
Water, Dresden Gallery; Alp in the Algäu,
Kunsthalle, Hamburg; Isar Meadows near
Munich (1861), Königsberg Museum; View
in Isar Valley (1858), Village with Church
and Castle, Storm near Coast, Village near
Pasing, Sketches (8, 1874), New Pinakothek,
Munich; Starnberg Lake, Alp in Ziller Valley,
Venice by Moonlight, Schack Gallery,
ib.; Moonlight near Rotterdam (1873),
Germanic Museum, Nuremberg; Village
Landscape, View on the Würm, Stuttgart
Museum; Storm Landscape (1851); View
near Dachau (1856); Moonlight Night in
Normandy (1858); Isar Meadows near Munich
(1860); Foggy Morning on Starnberg
Lake (1860); Herrenchiem Lake (1871).—Dioskuren
(1875), No. 14; Cotta's Kunstbl.,
1830-40; D. Kunstbl., 1850-58; Graph. K.,
v. 6; Illustr. Zeitg. (1874), i. 231; Jordan,
(1885), ii. 201; Regnet, ii. 181; Schack,
Meine Gemäldesammlung (1884), 225; Zeitschr.
f. b. K., ix. 161.
SCHLEISNER, CHRISTIAN ANDREAS,
born at Lyngby, near Copenhagen,
Nov. 2, 1810. Genre painter, pupil of Copenhagen
Academy, where he won medals
in 1831, 1833; studied while travelling