Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/140

and Camerino, where he left many works. Charles Blanc says he had three styles, a good, a mediocre, and a detestable. Among his best works are: Marriage of St. Catherine, S. Filippo, Camerino, and Madonna at foot of Cross, La Santa, Bologna.—Malvasia, i. 228; Ch. Blanc, École bolonaise; Gualandi, 64.

SAVONAROLA, portrait, Fra Bartolommeo, Florence Academy; wood, H. 1 ft. 10 in. × 1 ft. 4 in. Savonarola allegorically represented in the guise of Peter Martyr, with blood streaming from a wound in his head. Painted at Pian' di Mugnone before 1498; passed from the Ospizio della Maddalena to Convent of S. Marco, Florence, and to Academy. Engraved by Chiossone.—Vasari, ed. Mil., iv. 179; Gall. dell' Accad. di Firenze, Pl. 55; C. & C., Italy, iii. 433.

By Fra Bartolommeo, heirs of E. Rubieri, Florence. Painted in Florence in 1495, and sent to Ferrara; taken back to Florence by Filippo Salviati, who gave it to Dominican nuns of S. Vincenzo, Prato; their convent suppressed in 1810, and picture finally bought by Sig. Rubieri. The earliest extant work of Fra Bartolommeo.—C. & C., Italy, iii. 432; Rubieri, Ritratto di Fra Girolamo (Florence, 1855); Vasari, ed. Mil., iv. 179; Rio, de l'Art Chrétien, ii. 501.

SAXE, MARSHAL, AND STAFF, Jean Louis Ernest Meissonier, D. O. Mills, New York. The marshal and his officers riding along a road in a sunny landscape; at right, a shepherd in contadino costume pasturing his flock.—Art Treasures of America, ii. 109.

SAXONY, ELECTOR OF, portrait. See John Frederick.

SCARPAZA or SCARPACCIA. See Carpaccio.

SCARSELLA, IPPOLITO, and SIGISMONDO. See Scarsellino.

SCARSELLINO, LO, born at Ferrara in 1551, died there, Oct. 23, 1621. Lombard school; real name Ippolito Scarsella; son and pupil of Sigismondo Scarsella (1530-1614), called Mondino, who was a scholar of Paolo Veronese. Ippolito afterwards painted two years in Bologna, and studied the works of Paolo Veronese in Venice. On his return to Ferrara he won fame and riches by his works, which were in demand in Mantua, Modena, Bologna, and other cities; but most of his pictures are in Ferrara. Among his best examples are: Judgment of Paris, Uffizi, Florence; Assumption, Marriage at Cana, Beheading of St. John, Madonna della Misericordia, Noli me Tangere, Ferrara Gallery; Flight into Egypt, Madonna and St. Joseph, Madonna and Saints, do., Dresden Gallery; Child Jesus and St. John, Munich Gallery; Virgin and Child, Brussels Museum.—Ch. Blanc, École ferraraise; Lanzi, iii. 207.

SCHADOW, FELIX, born in Berlin, June 21, 1819, died there, June 25, 1861. Genre painter, step-brother of the following, pupil in 1838-39 of Julius Hübner, then in Dresden of Eduard Bendemann; returned to Berlin, where he assisted in painting Schinkel's frescos in the old Museum, and after his father's death painted in his house a cycle in fresco, illustrating Gottfried Schadow's life. Works: Adorning the Bride (1858), Schwerin Gallery; Diana (1860).—Schlie, 63.

SCHADOW (Schadow-Godenhaus), FRIEDRICH WILHELM VON, Dr., born in Berlin, Sept. 6, 1789,died in Düsseldorf, March 19, 1862. History and portrait painter, son and pupil of the sculptor, Gottfried Schadow, and pupil of Weitsch, then copied for one year in the Potsdam Gallery; served in the army in 1806-7, studied in Rome in 1810-19, was closely allied with