Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/123
(1873), Montpellier Museum; Fisherman mending Nets, Rising Tide on Coast of Brittany (1875); Lobster Fishers (1876); Creek of Erquy (1877); Farm of Courtry (1880); October Frost (1881); Autumn Dew (1882); Valley of Roche-Gouët in Brittany, Brook after Rain, ib. (1883).
SAINTIN, JULES ÉMILE, born in Lemé
(Aisne), Aug. 14, 1829. Genre and portrait
painter, pupil of Drölling, Picot, and Le-*boucher.
His portraits in oil, crayon, and
pastel are full of life. He lived several
years in the United States. Medals: 1866,
1870; 2d class, Munich, 1883; L. of Honour,
1877. Works: Pony Express (1863);
Woman carried off by Indians (1864); Petty
Warfare, Vittoria (1865); Carmella, Martha
(1866); The Levée, Michellina (1867); Heartfelt
Mourning, Annucia (1868); Mourning
Flowers, Festival Flowers (1869); Indecision,
Deception (1870); Two Augurs (1872);
Grave without Flowers (1873); Washerwoman
of Fine Linen, Toilet of the Rose
(1874); Lady Apple, Distraction, Flower
Girl (1875); Indiscreet, Last Ornament
(1866); First Engagement, Self-Satisfied
(1877); Jeanne, Will he Return? (1878);
Émilienne (1879); Flowers from Nice,
Abandonment (1880); Roussotte (1881);
In the Tuileries, By the Sea (1882); Woman
selling Apples (1883); Portraits of Princesse
Matilde and others.—Bellier, ii. 455;
Claretie (1874), Peintres, 333, 382.
SAINT-OURS, JEAN PIERRE, born at
Geneva in 1752, died there in 1809. Genre
painter, pupil of Vien in Paris, whither he
went in 1768; won prizes in 1772, 1774, and
1778, and the grand prix de Rome in 1780;
after finishing his course at Rome, studied
also in Venice. Works: The Olympic
Games, Scene in Earthquake in Calabria,
Colossal Head Studies, Life-size Academy,
Allegory on the Republic of Geneva, Portrait
of Dr. Tronchin, Portrait of the Artist,
Musée Rath, Geneva; Spartan Judgment
over the New-born (1795), Schleissheim
Gallery.—Bellier, ii. 453; Cat. du Mus.
Rath (1882), 53.
SAINT-PIERRE, GASTON CASIMIR,
born at Nîmes, May 12, 1833. Genre painter,
pupil of Jalabert
and of Cogniet.
Medals: 1868; 2d
class, 1879; L. of
Honour, 1881.
Works: Release of
St. Peter (1863);
Daphnis and Chloë
(1864); Leda (1865),
Nîmes Museum;
Sleeping Nymph (1866), Marseilles Museum;
Jupiter and Pthia (1867); Cupid
Laughing, Chateauroux Museum; Hide and
Seek (1868); Youth (1869), City Hall, Nîmes;
Farewell (1870), Carcassonne Museum; Jewish
Wedding (1870); Bacchante (1872); Indifference
and Tenderness, Cherries (1873);
First Steps, Odalisque (1874); Young Huntress,
Happy Baby (1875); Arabian Romance
(1876); Women at an Arab Wedding
(1877); Siesta (1879); Unexpected Caress
(1880); Aziza (1882); Aurora (1883); Source
Charmeuse (1884); Chanson d'Aziza, The
Sultana (1885); Soudja-Sari (1886); Decorations
in Cathedral of Oran.—Bellier, ii.
454; Larousse.
SALA, VITALE, born at Cernusco in
1803, died in Milan in 1835. History
painter, pupil of Milan Academy, where
he won five prizes; made a study trip to
Venice. Works: Death of Cato; Death of
Romeo and Juliet (1826); Departure of
Regulus; Capture of Bernabò (1827); Apotheosis
of St. Ambrosius (1828); Coronation
of the Virgin (1831-34), Novara Cathedral;
Frescos in S. Stefano and S. Lazzaro,
Milan.
SALA Y FRANCES, ÉMILIO, born at
Alcoy, Spain; contemporary. History and
genre painter. Medal, Madrid, 2d class,
1871. Works: Don Carlos of Navarra craving
Mercy of his Father; Prince of Viana
taken Prisoner; Guillen de Vinatea before
Alfonso V. of Aragon; Novus Ortus; Vale
of Tears; Modern Silenus; Julia.—La Ilustracion
(1882), ii. 19.