Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/109

House with Dancers, Suermondt Museum, Aix-la-Chapelle; Agitated Sea (2), View of Haarlem, View of Dam Square at Amsterdam, On the Downs near Overveen, Landscape with Peasant Cottage (1653), five others, Berlin Museum; Waterfall, Oakwood with Falconer, Cassel Gallery; The Chase, Jewish Cemetery, The Convent, Castle Bentheim, ten others, Dresden Museum; Steep Road over Sandy Hill, etc. (1667), seven others, Old Pinakothek, Munich; Castle Bentheim, Schönborn Gallery, Vienna; View of Haarlem, Marine View, Historical Society, New York; others in Galleries of Bergamo, Brunswick (5), Copenhagen (Royal, 4, Moltke Collection, 4), Darmstadt (2), Frankfort (4), Gotha, Hamburg (7), Madrid (2), Nuremburg, Oldenburg (3), Schleissheim (?), Schwerin (2), Stuttgart, Turin (2), Vienna (Museum, 3, Liechtenstein, 2, Harrach (1679), Czernin, 1), Weimar; Hermitage, St. Petersburg (14, two dated 1646, 1647); Uffizi, and Palazzo Pitti, Florence. Dr. Waagen in his Treasures mentions 130 in English collections.—Ch. Blanc, École hollandaise; Burger, Musées, i. 149, 270; ii. 132, 299; Dohme, 1ii.; Immerzeel, iii. 41; Jal, 1095; Kramm, v. 1410; Kugler (Crowe), ii. 470; Kunst-Chronik, xx. 506; Riegel, Beiträge, ii. 387; Van der Willigen, 256; Zeitschr. f. b. K., iv. 241; v. 228, 305; vii. 276; x. 74, 192; xii. 21, 260; xiv. 318.

RUISDAEL, SALOMON VAN, born in Haarlem about 1600, buried Nov. 1, 1670. Dutch school; landscape painter, formed himself after Esaias van de Velde, and Jan van Goyen, whom he resembles much in merits and defects. Entered the Haarlem guild in 1623, and was its president in 1648. While his earlier works are scarcely distinguishable from those of his model, his later pictures are more mannered in the treatment of foliage and more powerful in colour. Works: Coast View with Vessels, Antwerp Museum; Ferry Boat (1647), River Bank with Fishermen, Brussels Museum; Village Inn (1655), Halt (1660), Amsterdam Museum; The Meuse at Dordrecht, Rotterdam Museum; Herdsmen driving Cows (1614), River Landscape, Aschaffenburg Gallery; Dutch Canal (1642), four others (two dated 1631, 1656), Berlin Museum; Ferry (1652). Oaks on River Bank, Copenhagen Gallery; Village in Flat Country (1633), Fisherman's Cottage near Canal (1643), Water with Fishermen, Dresden Museum; Canal with Boats (1642), two others, Old Pinakothek, Munich; Woodland on River with Ferry (1634), Oldenburg Gallery; Landscape (1654), Wörlitz Gallery; Banks of the Meuse, View of Alkmaar, Metropolitan Museum, New York; Crossing the River, Landscape, Historical Society, ib.; others in Galleries of Bamberg, Basle, Cassel, Frankfort (2), Stockholm, Weimar; Czernin Gallery, Vienna (2); Brera, Milan.—Dohme, 1ii.; Gaz. des B. Arts (1869), i. 179; Kramm, v. 1412; Kugler (Crowe), ii. 468; Van der Willigen, 254; Zeitschr. f. b. K., v. 229; vii. 169; xiv. 319; xi. (Mittheilungen, iv. 41).

RUIZ DE LA IGLESIA, FRANCISCO IGNACIO, born in Madrid in 1648, died there in 1704. Spanish school; pupil of Camilo and of Carreño; painted a fresco in the queen's antechamber in the Alcázar so acceptably that he was made in 1689 painter to the king, an honour confirmed by Philip V. He painted portraits of Philip V. and of his first queen, Maria Louisa of Savoy, and sacred subjects for churches.—Stirling, iii. 1037.