Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/36
of Overbeck. Appointed court-painter at Baden in 1829 and revisited Rome in 1838-40. Works: St. Cecilia (1814); Praying Girl, Madonna (1824); Holy Virgin reading, Madonna in Glory, St. Nicholas, Resurrection (1825); St. Anatolica (1826); Martyrdom of St. Stephen (1827), Catholic Church, Carlsruhe; St. Cecilia (1829); Madonna in the Rose-Hedge (1834), Carlsruhe Gallery; Magnificat (1835); St. Charles of Borromeo (1838); St. Felicitas with her Sons, Jesus and the Children, St. Anthony, Angel bearing Prayers to Heaven (1840); Simeon in the Temple; Raising of Lazarus; Baptism of Livia; St. Jerome; Gratitude.—Allgem. d. Biogr., vi. 49; Andresen, iv. 30.
ELLIGER (Elger), OTTMAR (Ottomar), the elder, born at Gothenburg, Sept. 18, 1633, died in Berlin in 1679. Flemish school; fruit and flower painter, pupil in Antwerp of Daniel Seghers, called to Berlin as court-*painter, by the Great Elector, in 1670. Works: Tulip with Roses and Berries on a Table (1674), Bouquet on a Table with Grapes and Apricots, Dresden Gallery; others in Brunswick, Frankfort, and Stockholm Galleries.—Kramm, ii. 422; Michiels, viii. 303.
ELLIGER, OTTMAR, the younger, born
in Hamburg in 1666, died at Amsterdam in
1732. Dutch school; history painter, son
and pupil of Ottmar Elliger the elder; then
pupil in Amsterdam of Michiel van Musschert
and of Gerard de Lairesse; painted,
in the style of the latter, wall and easel
pictures in which he loved to introduce
grand architecture. Works: Death of Alexander
the Great (1716), Marriage of Peleus
and Thetis (1717), for Elector of Mentz;
Banquet of Cleopatra, Herodias dancing before
Herod and his
Guests, Cassel Gallery;
Woman with
Goblet and Fruits
(1714), Vienna Museum; Allegory, Bordeaux
Museum; others in Brunswick Museum.—Immerzeel,
i. 221; Kramm, ii. 422.
ELLIOTT, CHARLES LORING, born at
Scipio, N. Y., Dec., 1812, died in Albany,
Aug. 25, 1868.
Portrait painter,
pupil of Trumbull
and of Quidor
in New York,
where he spent
the greater part
of his professional
life. Elected
an A.N.A. in 1845
and N.A. in 1846.
His pictures are
to be found in the State Library, Albany,
the Mercantile Library, Baltimore, and in
the New York City Hall. Among his portraits
are those of: Matthew Vassar (Vassar
College); Fletcher Harper; Fenimore
Cooper; Fitz-Greene Halleck; Governors
Hunt and Seymour; Erastus Corning,
A. B. Durand, N.A., Corcoran Gallery,
Washington; his own portrait, M. O. Roberts'
Collection, New York. Ideal works:
Falstaff (Vassar); Don Quixote; Andrew
van Corlaer the Trumpeter, W. T. Wales,
Baltimore; Head of Skaneateles Lake, F.
N. D. Horton; Falstaff, Leonard Jerome,
New York.
ELMORE, ALFRED, born at Clonakilty,
Ireland, June 18,
1815, died in
London, Jan. 24,
1881. Student
in London in
1832 of Royal
Academy, where
he exhibited in
1834 his Subject
from an Old Play.
Made an extended
art tour to
Paris, Munich, Venice, Bologna, Florence,
and Rome, where he remained two years.
Returned to England in 1844; became an
A.R.A. in 1845, and R.A. in 1856. Works:
Martyrdom of Thomas à Becket (1840), St.
Andrew's Church, Dublin; The Novice