Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/237
Chapel at Baden-Baden. In fresco: Charles XII. of Sweden, Elector Max Emanuel of Bavaria before Belgrade; Battle of Pultusk, National Museum, Munich.—Müller, 242.
HAUSHOFER, MAX, born at Nymphenburg,
near Munich, Sept. 20, 1811, died at
Starnberg, Aug. 24, 1866. Landscape
painter, studied from nature; in 1835 lived
for some time in Rome and Naples, and visited
Sicily; in 1844 became professor at the
Prague Academy. He was the first artist to
introduce Bohemian forest-views, though he
preferred to paint the Bavarian and Tyrolese
Alps, and especially the Chiem Lake.
Works: Lake of Agnano (1835), Cassel
Gallery; The Königsee near Berchtesgaden,
Provinzial Museum, Hanover; Sunday Morning
on Chiem Lake (1839); Nun at the
Lake, Sunday Stillness (1842); Blöckenstein
Lake (1845); Outlook from the Arbor, View
of Walhalla (1850); Eibsee (1855); Walchensee
(1856), New Pinakothek, Munich;
Klönthal Lake (1858); Lake Luzerne (1859),
Vienna Museum.—Allgem. d. Biogr., xi. 92;
Illustr. Zeitg., July 18, 1863; Kunst-Chronik,
i. 125; Raczynski, ii. 336; Regnet, i.
174; Wurzbach, viii. 87.
HAUSMANN, FRIEDRICH KARL,
born in Hanau in 1825, died at Hanau,
March 10, 1886. Genre painter, pupil of
Hanau Academy under Pelissier; studied
in 1848-51 in Antwerp, and copied old masters
there and in the museums of Holland;
went in 1851 to Paris to study under Delaroche,
and afterwards visited Rome. Since
1864 director of Hanau Academy. Works:
Gypsy Girl Resting; Gypsy Boys; Priest
absconding with Gretchen's Jewels (1849),
Paris Gamins (1852), Galileo before the
Inquisition (1861), Kunsthalle, Hamburg;
Praying Canons; Pilgrimage in the Campagna;
Cinderella's Sufferings.
HAUSSY, ARSÈNE DÉSIRÉ D', born in
Paris, Oct. 17, 1830. Animal painter of remarkable
merit, pupil of Lazerges. Works:
Lost Sheep (1864); Black Cows (1866);
Normandy Steer (1867); Dog Watching
(1868); Pasture near Trouville, Bull-Terrier
(1869); White-Frost in Valley of Tourcques,
Breton Cows (1870).
HAVRANEK, FRIEDRICH, born in
Prague, Jan. 4, 1821. Landscape painter,
pupil of Prague Academy under Anton
Manes, and Christian Ruben; travelled in
Poland, Saxony, Tyrol, Styria, Bavaria, and
France. His works, mostly on a small
scale, are remarkable for elaborate detail,
which has obtained for him the surname of
the landscape Denner. Works: Peasant's
Farm in Moravia; Forest Path; Forest
Spring; Village Street in Bohemia.
HAY HARVEST (Les foins), Bastien-Lepage,
Luxembourg Museum; canvas, H.
5 ft. 11 in. × 6 ft. 4 in. Illustration of a
poem by André Theuriet. Mid-day in a
hay-field; in foreground, a woman seated
on the hay, her hands in her lap, looking
with dreamy eyes into the future; behind
her, a man lying full length on his back,
with his hat over his eyes. Salon, 1878.—Gaz.
des B. Arts (1878), xviii. 69.
HAYDON, BENJAMIN ROBERT, born
at Plymouth, Jan.
26, 1786, died in
London, June 22,
1846. History
painter, pupil of
Royal Academy
in 1805; exhibited
in 1809 his
Dentatus murdered
by his own
Soldiers, but dissatisfied
with the
position assigned it refused to contribute
any more. After painting portraits in Plymouth,
he won a considerable reputation in
1814 by his Judgment of Solomon, which
sold for 700 guineas. In 1820 he produced
Christ's Entry into Jerusalem, the exhibition
of which in London brought him 3,000 guineas;
but it procured him no commissions, and
was finally sold for £240 and sent to America.
It is now in Philadelphia. Though in
great pecuniary difficulties and several times
the inmate of a debtor's prison, he still clung