Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/232
class, 1878; L. of Honour, 1875; Officer,
1883. Works: A Deep Road (1852); View
of Capri (1855); The
Hedge School, A
Panic, Hunting
Craw-Fish (1857);
The Return, A Storm
(1859); Edge of the
Woods, Evening on
the Loire, The Loire
(1861); The Rooks
(1863); The Promenade
(1864); Rome
from the Palatine Hill (1865); View at
Sorrento (1865), Douai Museum; Vesuvius
(1866); Evening on the Campagna
(1866), Luxembourg Museum; Solitude
(1867); Souvenir of the River Meurthe
(1868), Lille Museum; Rocky Road (1869);
View of Montréal (1870); Valley of Egeria
(1870), Opera House; Ruins of the Castle
of Hérisson (1872); The Wolf's Jump
(1873), Orléans Museum; do., Luxembourg;
River Aumance, A Benevolent Public (1874);
Oaks of Château-Rénard, Valley of Aumance
(1875), Luxembourg; Meadow in
Bourbonnais (1876); Village of Chasteloy
(1877); Old Walnut Tree (1878); Pavilion
of Flora from the Pont Neuf, Turkeys (1879);
Return from Hunting in the Evening (1880);
Victim of Winter, the Loing at St. Privé
(1881); The Loing, The Loire (1882);
Woods of Trémellerie, An Afternoon at St.
Privé (1883); Loing at Tremellerie, Moon-*rise
(1884); The Loire at Briare, Farm of
Cour-Chaillot (1885).—L'Art (1879), xvi.
269, 281; Larousse; Meyer, Conv. Lex.,
xxi. 406.
HARRACH, FERDINAND VON, Count,
born at Rosnochau, Silesia, in 1832. Landscape
and historical genre painter, pupil
of Weimar Art School under Kalckreuth,
Ramberg, and Pauwels; took part in the
campaigns of 1866 and 1870, and spent one
year in Italy. Lives in Berlin; member of
Berlin Academy since
1873. Works: Chamois
Hunters; Henry
the Fowler; Emperor
Max on the Martin Wall;
Scotch Fisherman's
Family; Chamois Hunt;
Seizure of Luther on
his Return from Worms
(1870), Breslau Museum;
Arran Island; Spring's Beginning;
Nocturnal Attack; Opened Garden Door;
In the Vineyards of Wörth, Outpost on
Mont Valérien, Napoleon's Letter to King
William (1872); Skating in Thiergarten,
Moltke before Paris (1876); Death of the
Sea-King; Abraham's Sacrifice (1877); Annunciation
to the Shepherds (1878); Peter's
Denial, Breslau Museum; Alpine Landscape,
Female Portraits (2, 1884).—Müller, 238;
Rosenberg, Berl. Malersch., 231.
HARRER, HUGO, born at Hirschberg,
Silesia, in 1836, died in Rome, Dec. 8, 1876.
Genre and architecture painter, self-taught.
Painted his first pictures in Nuremberg,
then went to Munich, where he was much
influenced by Piloty, and in 1862 to Rome,
where he allied himself closely with Passini.
Returned there after a two years' sojourn in
Düsseldorf. In sunlight effects took Oswald
Achenbach for his model; was strong in
perspective. View in Olevano (1876), Berne
Museum.—Allgem. d. Biogr., x. 640; Kunst-Chronik,
xii. 287, 478.
HARRIET, FULGIRON JEAN, born in
Paris(?), died in Rome in 1805. History
painter, pupil of David; won the grand prix
de Rome in 1793, and first prize in 1800
and 1802. In 1803 he went to Rome, and
died there, leaving his Horatius Codes unfinished.
Works: Battle of the Horatii and
Curiatii (1800); Androclus and the Lion
(1802); Brutus dying on the Battle-Field
(1803); Horatius Cocles on the Sublician
Bridge (1805).—Seubert, ii. 175.
HARRISON, LOWELL BIRGE, born in